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Education |
|
| 1995 |
• |
MA in Photography, Royal College of Art, London |
| 1992 |
• |
BA (Honors) in Photography, Film & Video, University of Westminster, London |
|
| Solo Exhibition |
|
| 2010 |
• |
Places That Were Not, Angles Gallery, Los Angeles, California. |
|
• |
Places That Were Not, Noga Gallery of Contemporary Art, Tel Aviv, Israel |
|
• |
Places That Were Not, Mummery+Schnelle Gallery, London |
| 2009 |
• |
Evaders, CRG Gallery, New York, NY |
|
• |
Black Box: Ori Gersht, Hirshhorn Museum and Sculpture Garden, Washington D.C. |
| 2008 |
• |
Folding Time, Noga Gallery, Tel Aviv |
|
• |
Pomegranate, The Jewish Museum, New York |
|
• |
Blow Up, Time After Time & Pomegranate, Centro Andaluz De La Fotografia, Almeria, Spain. |
|
• |
The Forest, Musée d’Art de Toulon, Toulon, France |
|
• |
Time Folds, Angles Gallery, Santa Monica, California |
|
• |
Ori Gersht & Jan Breughel the Elder, Ingleby Gallery, Edinburgh, Scotland. |
| 2007 |
• |
Time After Time, Mummery + Schnelle, London, UK |
|
• |
The Forest, Yale Center for British Art, New Haven, Connecticut |
|
• |
The Clearing, Stills Gallery, Edinburgh, Scotland |
|
• |
The Forest, Mic Toi Rerehiko Gallery, Auckland, New Zealand |
| 2006 |
• |
The Clearing, (travelling exhibition), SpaceX, Exater, UK, Photo Gallery, Cardiff, UK, Galway Arts Festival, Galway, Ireland, Leeds Metropolitan University Gallery, UK |
|
• |
The Forest, Tel Aviv Museum, Israel |
|
• |
Liquidation, Noga Gallery, Tel Aviv, Israel |
|
• |
The Clearing, Angles Gallery, Santa Monica, CA |
|
• |
The Forest, CRG Gallery, NY |
|
• |
The Clearing, The Photographers’ Gallery, London, UK |
| 2005 |
• |
Liquidation, CRG Gallery, NY |
| 2004 |
• |
Blaze, Andrew Mummery Gallery, London, UK |
|
• |
Blaze, Noga Gallery of Contemporary Art, Tel Aviv, Israel |
|
• |
History In The Making, Photo España, Madrid, Spain |
|
• |
Ghost & Concrete City Scans, Angles Gallery, Santa Monica, CA |
|
• |
Ghost, The Armory Show, CRG Gallery, New York, NY |
| 2003 |
• |
Black Soil, CRG Gallery, New York, NY |
| 2002 |
• |
Afterglow, Helena Rubenstein Pavilion for Contemporary Art, Tel Aviv Museum of Art, Tel Aviv, Israel |
|
• |
Mass Culture, Andrew Mummery Gallery, London, UK |
|
• |
AfterGlow, Art Now, Tate Britain, London, UK (leaflet) |
|
• |
White Noise, Angles Gallery, Santa Monica, CA |
| 2001 |
• |
White Noise, Andrew Mummery Gallery, London, UK |
|
• |
Liste 01 - The Young Art Fair in Basel, with Andrew Mummery Gallery, Switzerland |
|
• |
White Noise, Noga Gallery of Contemporary Art, Tel Aviv, Israel |
|
• |
AfterWars, Belfast Exposed, Belfast, Ireland |
|
• |
White Noise, Martin Kudlek Gallery, Cologne, Germany |
|
• |
Mass Culture, Refusalon, San Francisco, CA |
| 2000 |
• |
AfterWars, Gardner Art Centre, Brighton, UK |
|
• |
Pitch, Chisenhale Gallery, London, UK |
| 1999 |
• |
AfterWars, Andrew Mummery Gallery, London, UK |
|
• |
Vital Signs, Noga Gallery of Contemporary Art, Tel Aviv, Israel |
| 1993 |
• |
Ori Gersht. Just Bring Your Body, Metro Gallery, London, UK |
| 1992 |
• |
Ori Gersht. Just Bring Your Body, Zone Gallery, Newcastle, UK |
|
| Group Exhibitions |
|
| 2010 |
• |
Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York, NY |
|
• |
Still / Moving, The Israel Museum, Jerusalem |
|
• |
The image as moving paintings and the return of the genres, Fundacion Francisco |
|
• |
Godia, Barcelona, Spain |
|
• |
Beijing International Art Biennale 2010 (BIAB10,) National At Museum, Beijing, China |
|
• |
Atlantis II, Rohkunstbau, Berlin, Germany |
|
• |
Krieg/Individuum, Ausstellungshalle zeitgenoessische Kunst Muenster, Muenster, |
|
• |
Germany |
|
• |
Windows, The Israel Museum, Jerusalem, Israel |
|
• |
Kunstsaele Berlin |
|
• |
Natural Conflicts, photography and films from Israel, Nevada Museum of Art, Nevada |
|
• |
Impressionism and Video Art: the echo of light, The Normandy impressionist festival, |
|
• |
Seine-Maritime, Rouen, France. |
|
• |
Hugging & Wrestling – Contemporary Israeli Photography and Video, Museum of |
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• |
Contemporary Art, Cleveland. |
|
• |
When a Painting Moves, touring exhibition: Centro Colombia-Americano, Colombia; |
|
• |
Museo de Arte de Puerto Rico, Puerto Rico; MoCCA, Toronto, Canada. |
|
• |
Latitudes a photography, Huelva, Spain. |
|
• |
Luegen.nirgends (Lies.nowhere), Austellungshalle –zeitgenoessische Kunst Munster, |
|
• |
Munster, Germany. |
|
• |
Unique Paintings, Fundacion Godia, Barcelona, Spain. |
|
• |
Calm Before the Storm, Winzavod Art Center, Moscow, Russia. |
|
• |
Paysage – Vidéo, Musée d’Art, Toulon, France |
| 2009 |
• |
The Summer Show, CRG Gallery, NY |
|
• |
Order From Chaos: Ori Gersht, Idris Kahn, Boo Ritson (curated by Tamar Arnon), Centro Andaluz De La Fotografia, Almeria, Spain |
| 2008 |
• |
Peace and agriculture in a pre-Romantic ideal landscape without sublime terrors,Haunch of Venison, Berlin |
|
• |
Contemporary Flowers, Curated by Glynnis McDaris, Fake Estate, New York, NY |
|
• |
The Aerials of Sublime Transscapes, Lokaal 1, Breda, Holland |
|
• |
Pomegranate: A video by Ori Gersht, The Jewish Museum, New York, USA |
|
• |
Depletion, works from the Doron Sebbag Collection, Tel Aviv Museum, Tel Aviv, Israel. |
|
• |
Personal Landscape; contemporary Art from Israel, The Katzen, American University Museum, Washington, USA. |
|
• |
Ori Gersht & Jan Breughel the Elder , Ingleby Gallery, Edinburgh, Scotland |
|
• |
Visions in the Nunney, The Nunnery, London |
|
• |
Static: Contemporary Still Life and Portraiture, Harris Museum and Art Gallery, Preston |
|
• |
Mutation II; Europian Month of Photography, Masion Europeenne de la Photographie, Paris, Kulturprojekte, Berlin, Fotofo, Bratislave, Vladmir Und Estragon, Vienna, Estragon, Association Café Crème, Luxenbourg, Musee de la Photographie, Moscou, Zone Attive, Rome |
| 2007 |
• |
The Last Seduction of Welcome Surrender to Beauty, Carrie Secrist Gallery, Chicago, USA |
|
• |
Loop ’07 – Barcelona - The Video Art festival, Galeria Dels Ángels, Barcelona, Spain |
|
• |
Video Killed the Painting Star, Museum of Salamanca, Salamanca, Spain |
|
• |
Pomegranate, Tate Britain, London, “Single Shot” commissioned by Film & Video Umbrella and The Film Council, UK |
|
• |
In Focus: Living History, Tate Modern, London |
|
• |
1st Architecture, Art and Landscape Biennial of the Canaries, Canary Islands |
|
• |
My Vision, ZEPHYR Raum für Fotografie, Mannheim, Germany |
|
• |
Dateline Israel: New Photography and Video Art, Jewish Museum, New York, NY |
| 2006 |
• |
Inside-Out, Contemporary Artists from Israel, museum MARCO, Vigo, Spain |
|
• |
Making Journeys, Djanogly Gallery, Nottingham, UK |
|
• |
Inside-Out. Contemporary Artists from Israel, Museum MARCO, Vigo, Spain |
|
• |
Forest Primeval, MoCA Georgia, Atlanta, GA |
|
• |
Fata Morgana , Haifa Museum, Haifa, Israel |
|
• |
Illusions, Haifa Museum, Israel |
|
• |
Spatial dualism in the Eye of the Camera - Landscape Photography 1945-1963, The Spatial Dualism in the Eye of the Camera - Landscape Photography 1945-1963, The Open Museum of Photography, Tel Hai, Israel |
|
• |
Twilight: Photography in the Magic Hour, Victoria & Albert Museum, London, UK |
|
• |
Forest Dreaming, Centre for Contemporary Art and the Natural World, Exeter UK |
|
• |
Single Shot, commisioned by Film & Video Umbrella and The Film Council, UK |
|
• |
My Vision, ZEPHYR Raum für Fotografie, Mannheim, Germany |
| 2005 |
• |
Citizen, PM Gallery & House, London, City Gallery, Leicester, Oriel Davies Gallery Newtown, |
|
• |
Powys/Wales, Ormeau Bath Gallery Belfast, Northern Ireland |
| 2004 |
• |
Voluntary Memory: imagining the invisible past, Austrian Cultural Forum London, London, UK |
|
• |
El Jardi’n De Las Delicias, Galeria Guereta, Madrid, Spain |
|
• |
Historias, Photo España 2004, Madrid |
|
• |
Tirana International, Tirana, Albania |
|
• |
Tales of the City, Arte Fiera 2004, (curated for the British Council by students from the MA Curating course, Goldsmiths College) Bologna Fiere, Italy |
| 2003 |
• |
Strangers to Ourselves, The Metropole Galleries, Folkestone |
|
• |
Up Close and Personal, Nottingham Castle, Nottingham, UK |
|
• |
Contemporary Art/Recent Acquisitions, The Jewish Museum, New York, NY |
|
• |
One Ground, California Museum of Photography, University of California, Riverside, CA |
|
• |
Der Berg, Heidelberger Kunstverein, Heidelberg, Germany |
|
• |
Independence, South London Gallery, London, UK |
|
• |
Culture and Continuity, Jewish Museum, New York, NY |
| 2002 |
• |
eality Check, Recent Developments in British Photography and Video, curated by Kate Bush and |
|
• |
Brett Rogers. Touring exhibition organised by The British Council and The Photographers Gallery, London, UK |
|
• |
Willard Boepple, Ori Gersht and Albrecht Schäfer, Andrew Mummery Gallery, London, UK |
|
• |
Non-Places, Frankfurter Kunstverein, Frankfurt am Main, Germany |
|
• |
5:1, Fotogalerie, Altefeuerwache Kulturzentrum, Mannheim, Germany |
| 2001 |
• |
Melancholy, Northern Gallery for Contemporary Art, Sunderland, UK |
|
• |
Base Metal, Gallery Fine 2, London, UK |
|
• |
Six International Fototage, Herten, Germany |
| 2000 |
• |
warningSHOTS!, Royal Armouries Museum, Leeds, UK |
|
• |
Don’t Worry, Chelsea Westminster Hospital, London, UK |
|
• |
The Leon Constantiner Photography Award for an Israeli Artist, Tel Aviv Museum |
|
• |
of Art, Tel Aviv (with Dalia Amotz and Simcha Shirman), Israel |
| 1998 |
• |
Global II Collection, Pearson Education, Edinburgh Gate, Harlow |
|
• |
Open Studios, Whitechapel Open, London |
| 1997 |
• |
Home Ideals, curated by FAT, Therbeton St, London, UK |
|
• |
Para-Site, curated by Kurt Vanbelleghem, Gulden Vlies Galerijen, Brussels |
| 1996 |
• |
John Kobal Award, National Portrait Gallery, London. Touring to the National Gallery of |
|
• |
Edinburgh; Museum of Film & Photography, Bath; Midland Arts Centre, Birmingham, UK Deep Signal, Collective Gallery, Edinburgh; Gasworks Gallery, London, UK |
|
• |
Lightness & Weight, curated by Not Cut, The Custard Factory, Birmingham, UK |
|
• |
After the Flood, Henry Moore Gallery, Royal College of Art, London, UK |
| 1995 |
• |
Atrium, Atrium Cork Street Gallery, London, UK |
|
• |
Cabinet Art, Jason & Rhodes Gallery, London, UK |
|
• |
Selected Contemporary Artists, Bismarck Foundation, Paris, France |
| 1994 |
• |
South Bank Photographic Show, Royal Festival Hall, London, UK |
| 1993 |
• |
British Transport Competition, Mall Gallery, London, UK |
| 1992 |
• |
21eme Salon International de la Recherche Photographique, Royan Cedex, France |
|
• |
Zone Gallery, Newcastle, UK |
| 1991 |
• |
South Bank Photographic Show, Royal Festival Hall, London, UK |
| 1990 |
• |
South Bank Photogrpahic Show, Royal Festival Hall, London, UK |
|
• |
Cartier Foundation Prize, ICA Gallery, London, UK |
|
| Awards and Residencies |
|
| 2006 |
• |
Big Bang, a film commissioned by the V&A for the exhibition Twilight: Photography in the Magic Hour. |
|
• |
Pomegranate, a short film commissioned by Film & Video Umbrella and the Film Council UK as part of the Single Shot project |
| 2005 |
• |
The Forest, a film commissioned by Film & Video Umbrella |
| 2004 |
• |
First Prize winner, Onfuri International, Tirana, Albania |
| 2003 |
• |
Commissioned by the Museum of Nottingham Castle to produce sight specific work for the |
|
• |
Drawing with Light exhibition |
|
• |
BBC White City Public Art Strategy Photographic Commission |
| 2002 |
• |
Consultant to the architectural development planning of the South London Gallery |
| 2000 |
• |
The Leon Constantiner Photography Award for an Israeli Artist, Tel Aviv Museum of Art, Israel |
| 1997 |
• |
Residency at Whitefield School, Barnet |
| 1993 |
• |
Prize winner, British Transport Competition, Mall Gallery, London, UK |
| 1990 |
• |
Prize winner, South Bank: Annual Show, Royal Festival Hall, London, UK |
|
| Collections |
|
|
• |
Deutsche Bank, London |
|
• |
J. Paul Getty Museum, Los Angeles, CA |
|
• |
Guggenheim Museum, New York |
|
• |
Henry Art Gallery, Seattle |
|
• |
Hyde Park Center Collection, University of Chicago |
|
• |
Imperial War Museum, London |
|
• |
Israel Museum, Jerusalem, Israel |
|
• |
Jewish Museum, New York |
|
• |
Knoxville Museum of Art, Knoxville, TN |
|
• |
Los Angeles County Museum of Modern Art, Los Angeles, USA |
|
• |
Museum of Fine Arts, Boston |
|
• |
Museum of Modern Art, San Francisco |
|
• |
Nottingham Castle Museum, Nottingham, UK |
|
• |
Royal Armouries, Leeds, UK |
|
• |
Tate Gallery, London, UK |
|
• |
Tel Aviv Museum of Contemporary Art, Tel Aviv, Israel |
|
• |
UBS, London |
|
• |
UK Government Art Collection |
|
• |
Victoria & Albert Museum, London |
|
| Exhibition Catalogues |
|
| 2004 |
• |
The Photograph as Contemporary Art, Charlotte Cotton, pp. 170-171, Thames & Hudson World of Art, ISBN 0-500-20380-6 |
|
• |
Historias, PHE04 (Photo Espana), Spain, ISBN 84-95471-97-3 |
|
• |
Photo España 04, La Fabrica, Madrid. ISBN 84-9571-97-3 |
|
• |
Tales of the City, British Council, Bologna Fiere, Italy. ISBN 88-422-1232-6 |
|
• |
Young Israeli Art, The Jacques & Eugenie O’Hana Collection, Tel Aviv Museum of Art, Tel Aviv. ISBN 965-7161-04-5 |
| 2003 |
• |
Up Close and Personal, Nottingham Castle Museum, Nottingham. ISBN 0-905-634-659 |
|
• |
Strangers to Ourselves, The Metropole Galleries, Folkestone. ISBN 0-9518262-2-0 |
|
• |
Israeli Contemporary Photography. Three Generations, Tel Aviv Museum of Art, Tel Aviv. Cat. 8 |
|
• |
Der Berg, Hans Gercke, Heidelberger Kunstverein, Kehrer Verlag, Heidelberg. ISBN 3-933257-99-9 |
| 2002 |
• |
Reality Check, The British Council and The Photographers Gallery, London, UK. Cat. / Publ. |
|
• |
Non Places, Frankfurter Kunstverein, Lukas & Stenberg, Frankfurt am Main. ISBN 0-9711193-3-3 |
| 2001 |
• |
City Levels, Nick Barley and Ally Ireson, August/Birkhauser, London and Basel, pp. 24, 25, & 53 |
|
• |
Six International Fototage, Herten, DAS Bild Forum, Germany. ISBN 3-7643-6315-0 |
| 2000 |
• |
Don’t Worry, published by Chelsea & Westminster Hospital Arts, London. |
|
• |
Warning Shots, published by Royal Armouries Museum, Leeds. ISDN 0-948092-44-0 A Case for Art: A Contemporary Art Collection, published by DLA & Partners, London |
| 1997 |
• |
Para-Site, text by Denis Gielen "Passage autorisé", Published by Gulden Vlies Galerijen, Brussels. |
| 1996 |
• |
John Kobal Award, published by National Portrait Gallery, London. |
|
• |
After the Flood, text by Paul Kilsby. Published by Royal College of Art, London |
|
• |
Lightness & Weight, published by Not Cut, London |
|
| Bibliography |
|
| 2009 |
• |
Rosenberg, Karen, Ori Gersht, Art in Review, New York Times, Oct 8, 2009 |
|
• |
Armstrong, Carol, Ori Gersht: The Angel of History, Eikon, July 2009 |
|
• |
Wecker, Menachem, Falling Trees and Exploding Pomegranates, The Jewish Press, |
| 2008 |
• |
Dambrot, Shana Nys, "Ori Gersht: Time Folds", Art Review, May 2008 |
| 2007 |
• |
Birke, Judy, "A Family Diary and the Holocaust...", New Haven Register, Nov. 24, 2007 |
|
• |
Cotter, Holland, "Snap Judgments of Israel, More Than Words Can Say", New York Times, April 14, 2007 |
| 2006 |
• |
Glover, Michael, "Keep it short, keep it sweet", London Times, November 8, 2006 |
|
• |
Princenthal, Nancy, "Ori Gersht at CRG", Art in America, Reviews, pp184-185, May 2006 |
|
• |
Dyer, Richard, "Towards the Re-Presentation of History: Ori Gersht in conversation with Richard Dyer", Pluk, Jan. 2006 |
|
• |
Kent, Sarah, "Photographers Gallery" Time Out / London, Photography, January 25, 2005 |
| 2005 |
• |
Searle, Adriane, "Secrets of the Forest", The Guardian, December 20, 2005 |
|
• |
Gavin, Miranda, "Distilling the Essence, Ori Gersht’s Liquidation", HOT SHOE, October 2005 |
|
• |
Rappolt, Mark, "Ori Gersht: being and nothingness", Modern Painters, April 2005 |
|
• |
Gould, Simon, "Voluntary Memory - Imagining the Invisible Past," Contemporary, No. 70, p. 66-672004 |
| 2004 |
• |
Sumpter, Helen, "Ori Gersht," TimeOut, London, Nov. 10 |
|
• |
Myers, Holly. "Weathered But Living Ghosts," Los Angeles Times, June 18th |
|
• |
Green, Tyler. "L.A. Galleries Roundup, part two: Ori Gersht at Angles Gallery," Art Journal, Jun. 4 |
|
• |
Arrari, Blaze, Noga Gallery, Tarbut Supplament, Maariv, Newspaper, Israel, Sept. 24 |
|
• |
Meir, Rivka, Blaze, Noga Gallery, Time Out Tel Aviv, Israel, Sept. 9-14, p. 89 |
|
• |
Gilerman, Dana, Blaze, Noga Gallery, A Arez Newspaper, Israel, Sept. 2, p. d4 |
| 2003 |
• |
Sholis, Brian. "Ori Gersht - CRG Gallery," Flash Art, Mar - Apr., Vol. XXXVI, No. 229, p.110-111 |
|
• |
Johnson, Ken. "Ori Gersht - Black Soil," The New York Times, p.E42, Jan. 24th |
|
• |
Douglas, Sarah. "Ori Gersht," The Art Newspaper, No. 132, Jan., p.5 |
|
• |
Johnson, Ken. "Ori Gersht - Black Soil," The New York Times, p.E42, Jan.3rd |
|
• |
Audio Art Magazine, Interview with Jean Wainwright, Volume 21, No. 2 |
|
• |
Rear Window, AA Files, 49 (2003) pp. 70-75, ISSN 0261-6823, ISBN 1-902901-34-3 |
|
• |
The Independence Exhibition, SLG7, South London Gallery magazine, Issue 7, p.1 |
|
• |
A Sense of Place In The Work of Ori Gersht and Shirin Neshat, Film Wave Magazine/Art IN Sight, Issue 20, Jan., pp. 5-7 |
| 2002 |
• |
Le Quotidien De La Fiac, Numéro 5, Les Journal Des Arts, October 24 – 28 |
|
• |
Wainwright, Jean. "Ori Gersht - Tate Britain," Art Monthly, July - August, No. 258, p.38-39 |
|
• |
Dykstra, Jean, "Afterglow: Ori Gersht," Art on Paper, Vol. 7, No. 1, p.110 |
|
• |
Douglas, Sarah. "Ori Gersht: White Noise, Angles Gallery, Los Angeles," The Art Newspaper, No. 127, July - Aug., p. 9 |
|
• |
Kent, Sarah, Afterglow, Tate Britain, Time Out London, July 3-10, No. 1663 |
|
• |
Time Out, "Ori Gersht: Tate Britain," July 3-10 |
|
• |
Tamhane, Swapna. "All Borders will Dissolve" Flux, Issue 31, June/July, p.32-33 |
|
• |
Goldfine, Gil. "A goal kicked from center field," Jerusalem Post, May 31 |
|
• |
Pitman, Joanna. "The Judean wilderness has a message for us all..." The Times, May 29, p.11 |
|
• |
Güner, Fisun. "What lies beneath?," Metro Life, May 23, p.22 |
|
• |
Coomer, Martin. "#1MY NAME IS…ORI GERSHT," Time Out, May 22 |
|
• |
Fergusson, Ben. "Day by Day by Ori Gersht & Tracy Ferguson", Art Review, April |
|
• |
David Brittain, Ori Gersht: The Knowledge Factory, Portfolio, No. 35, June, ISBN 1354-4446, pp. 20-23, 57 |
|
• |
Being There, Flux, Issue 31, June/July, pp. 32-33 |
|
• |
Afterglow, Time Out London, Interview about Tate Exhibition, No. 1657, May 15-22 |
| 2001 |
• |
Falconer, Morgan. "White Noise, Andrew Mummery Gallery, London", What’s On, May 30, p.22 |
|
• |
Falconer, Morgan. "Profile (interview)," Art Review (Jul. - Aug.), p. 52. |
|
• |
Warning Shots, Kunstforum International, B153 (Jan. - Mar.), pp. 112-113 |
|
• |
West, Richard. "Afterwars", Source Magazine, no. 28 (Autumn), pp. 46-47. |
|
• |
Afterwars, AA Files, 42, inside cover and pp. 36-38, ISSN 0261-6832, ISBN 1-902902-18-1 |
|
• |
White Noise, Muza Art Quarterly, 4, April, pp. 64-65 (Hebrew). |
| 2000 |
• |
Green, Alison. "Don’t Worry", Art Monthly, May-June, pp. 47-48. |
|
• |
Searle, Adrian. "warningSHOTS!", The Guardian, Saturday, Jun. 3 |
|
• |
Flash Art, Vol. XXXIII, No. 214 (Oct.), p. 41. |
|
• |
Morley, Simon. "Pitch", Independent on Sunday, Oct. 8 |
|
• |
Currah, Mark. "Pitch", Time Out London, Issue 1573, Oct. 11-18 |
|
• |
Richman, Simmy. "They Think It’s All Over," Independent on Sunday, Sept. 16. |
|
• |
White Noise, Poland", HotShoe International, May/Jun, pp. 14-19 |
|
• |
Pitch, Studio Art Magazine, 116, Aug. - Sept., Tel Aviv, cover and pp. 25-33, Hebrew |
| 1999 |
• |
Townsand, Chris. "Afterwars", HotShoe Magazine, May-June, p. 10. |
|
• |
Geldard, Rebecca. "Afterwars",Time Out London, 16 Jun. |
|
• |
Thrift, Julia. "Afterwars", Time Out London, 16-23 June, No. 1504 |
|
• |
Masterson, Piers. "Afterwars", Art Paper, USA, Sept. |
|
• |
Masterson, Piers. "Ori Gersht’s Sarajevo Photographs" Creative Camera, p.20-27, Oct/Nov Issue. |
|
• |
Special for Studio: Afterwars and Rear Window, Studio Art Magazine, Mar., pp. 55-58, Hebrew |
|
• |
Afterwars, Bosnia, Zoo, London, Issue 3, October, pp. 310-311 |
|
• |
Afterwars, Bosnia, Creative Camera, London, Issue 360, Oct. - Nov., pp. 20-27 |
|
• |
Afterwars, Bosnia, Portfolio, Edinburgh, Issue 30, Nov., pp. 46-48. |
|
• |
Afterwars, Bosnia, Everything Magazine, Issue 2, No. 4, pp. 26-27, 30 |
| 1997 |
• |
Rollin, Pierre-Oliver, Para-site ‘Parasitisme’ Structurel, Art & Culture, Brussels, April |
| 1996 |
• |
Masterson, Piers. "Lightness & Weight, Birmingham", Artist Newsletter, Sept., p. 27 |
|
• |
Hubbard, Sue. "Deep Signals", Time Out London, 18-25 Sept., p. 50. |
| 1995 |
• |
Update, Art Review, May |
| 1994 |
• |
Hotshots: South Bank Photo Show, Time Out London, 15-22 June |
| 1993 |
• |
Shop Window, Art Review, April, p. 42 |
| 1992 |
• |
Playing with Reality, New Moon, November |
|
• |
People, HotShoe International, No. 64, p. 6 |
|
• |
Little, Mark, "Ori Gersht", The Crack, Newcastle, August, p. 39 |
|
| Radio |
|
| 2003 |
• |
New Brit Art, Programme 3: Ori Gersht, BBC Radio 4, Presented by Yasmin Alibhai-Brown, producer Michael Nangla |
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• |
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