548 West 22nd St.
New York, NY 10011		 t: 212-229-2766
f: 212-229-2788		  
www.crggallery.com
Ori Gersht
selected work   •   biography   •   publications   •   press   •   events
  • 1967 Born in Tel-Aviv, Israel
  • Lives and works in London

 

Education

 

  • 1995 MA in Photography, Royal College of Art, London
  • 1992 BA (Honors) in Photography, Film & Video, University of Westminster, London

 

Work experience

 

  • 1997-2011 Senior lecturer, school of Photography, BA(Hons) & MA, at the Kent Institute of Art & Design, UK.
  • 2004-2011 Research reader at the Kent Institute of Art & Design,UK.
  • 2006-2011 Professor of Photography at UCA (University for the Creative Arts), UK
  • MA course supervisor
  • Research degree supervisor

 

Solo Exhibition

 

  • 2012 Imperial War Museum, London, UK
  • Mid career Survey show, Museum Of Fine Art Boston, Boston, USA
  • Survey of works between 2001-2011, Tel Aviv Museum of Contemporary Art, Israel 
  • 2011 Lost in Time, Santa Barbara Museum, Santa Barbara, CA, USA
  • Lost in Time 21c Museum, Kentucky USA.
  • Chasing Good Fortune & Will You Dance For Me, CRG Gallery New York, USA
  • Chasing Good Fortune & Will You Dance For Me, Angles Gallery Los Angeles, USA
  • Chasing Good Fortune Noga Gallery, Tel Aviv, Israel
  • 2010 Places That Were Not, Angles Gallery, Los Angeles, California, USA.
  • Places That Were Not, Noga Gallery of Contemporary Art, Tel Aviv, Israel.
  • Places That Were Not, Mummery+Schnelle Gallery, London.
  • 2009 Black Box, Hirshhorn Museum and sculpture Garden, Washington DC, USA.
  •  Evaders, CRG Gallery. New York, NY, USA.
  • 2008 Selected Films, Hirshhrorn Museum and Sculpture Garden, Washington, USA
  • Folding Time, Noga Gallery, Tel Aviv Israel
  • The Forest, Musée d’Art de Toulon, Toulon, France.
  • Time Folds, Angles Gallery, Santa Monica, California.
  • Ori Gersht & Jan Breughel the Elder, Ingleby Gallery, Edinburgh, Scotland.
  • Pomegranate, The Jewish Museum, New York.
  • 2007 Time After Time: Exploding Flowers & Other Matters, The Armory Show (with CRG Gallery), New York, USA.
  •  The Forest & Blow Up, Yale Center for British Art, New Haven, USA.
  • The Clearing, Stills Gallery, Edinburgh, Scotland.
  • Time After Time, Mummery+Scnhelle Gallery, London.
  • The Forest, Mic Toi Rerehiko Gallery, Auckland, New Zealand.
  •  2006  The Forest, Tel Aviv Museum, Tel Aviv, Israel.
  • Liquidation, Noga Gallery, Tel Aviv, Israel.
  • The Clearing, Angles Gallery, Los Angeles, USA.
  • The Forest, CRG Gallery, New York, USA.
  • The Clearing, Photographers Gallery, London, UK SpaceX Exeter, UK, Photo Gallery Cardiff, Wells Galway Art Festival, Ireland, Leeds Metropolitan University Gallery, Leeds, UK.
  • 2005 Liquidation, CRG Gallery, New York, USA.
  • Erzahl Mir Vom Krieg, Ori Gersht & Simon Norfolk, Zephyr Gallery, Mannheim, Germany.
  • 2004 Blaze, Andrew Mummery Gallery, London, UK.
  • Blaze, Noga Gallery, Tel Aviv, Israel.
  • History in the Making, Photo España, Madrid, Spain.
  • Ghost and Concrete City Scans, Angles Gallery, Santa Monica, USA.
  • Ghost, The Armory Show (with CRG Gallery), New York, USA .
  • 2002/2003 Black Soil, CRG Gallery, New York, USA.
  • 2002 White Noise, Angles Gallery, Santa Monica, USA.
  • Afterglow, Art Now Room, Tate Britain, London, UK.
  • Afterglow, Helena Rubenstein Pavilion for Contemporary Art, Tel Aviv Museum, Tel Aviv, Israel.
  • Mass Culture, Andrew Mummery Gallery, London, UK.
  • 2001 White Noise, Galerie Martin Kudlek, Cologne, Germany.
  • Mass Culture, Refusalon Gallery, San Francisco, USA.
  • AfterWars, Belfast Exposed, Belfast, Northern Ireland.
  • LISTE 01, The Young Art Fair, Basel (with Andrew Mummery Gallery), Basel, Switzerland.
  • White Noise, Gallery Noga, Tel Aviv, Israel.
  • White Noise, Andrew Mummery Gallery, London, UK.
  • 2000 AfterWars, Gardner Arts Centre, Brighton, UK.
  • Pitch, Chisenhale Gallery, London, UK.
  • 1999 Vital Signs, Gallery Noga, Tel Aviv, Israel.
  • AfterWars, Andrew Mummery Gallery, London,UK.
  • 1993 Ori Gersht. Just Bring Your Body, Metro Gallery, London,UK.
  • 1992 Ori Gersht. Just Bring Your Body, Zone Gallery, Newcastle,UK.

 

Group Exhibitions

 

  • 2012 ‘Seduced by Art: Photography Past and Present’, London National Gallery, London, UK.
  • 2011 ‘Curtain Call’, The Roundhouse, London, UK.
  • ‘Travelling Light’, Whitechapel Art Gallery, London, UK.
  • “Eating Art”, La Pedrera/Casa Milà, Barcelona, Spain
  • Evaders, inaugural show of new wing, Tel Aviv Museum, Israel
  • When a Painting Moves… Something Must be Rotten, The Stenersen Museum, Oslo, Norway.
  • Single Shot – a Film and Video Umbrella touring exhibition, Glynn Vivian Art Gallery, Swansea, UK.
  • Latitudes – Photography Festival, Huelva, Spain.
  • Caen Art’s Museum, Normandy, Spain.
  • 2010 Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, New York, USA.
  • “In Focus: Still Life,” The J. Paul Getty Museum, Los Angeles, California, USA.
  • Daegu Photobienal, Daegu, South Korea.
  • Still / Moving, The Israel Museum, Jerusalem.
  • The Image as Moving Paintings and the Return of the Genres, Fundacion Francisco Godia, Barcelona, Spain.
  • Beijing International Art Biennale 2010, BIAB10 , National At Museum, Beijing, China.
  • Atlantis II, Rohkunstbau, Berlin, Germany.
  • Krieg/Individuum, Ausstellungshalle zeitgenoessische Kunst Muenster, Muenster, Germany.
  • Windows, The Israel Museum, Jerusalem, Israel.
  • The Forest, Kunstsaele, Berlin.
  • Natural Conflicts, photography and films from Israel, Nevada Museum of Art, USA.
  • Impressionism and Video Art: Echo of Light, The Normandy impressionist festival, Seine-Maritime, Rouen, France. 
  • Hugging & Wrestling – Contemporary Israeli Photography and Video, Museum of Contemporary Art, Cleveland, USA.
  • When a Painting Moves, touring exhibition: Centro Colombia-Americano, Colombia, Museo de Arte de Puerto Rico, Puerto Rico, MoCCA, Toronto, Canada.
  • Latitudes a photography, Huelva, Spain.
  • Luegen.nirgends (Lies.nowhere), Austellungshalle –zeitgenoessische Kunst Munster, Munster, Germany.
  • Unique Paintings, Fundacion Godia, Barcelona, Spain.
  • Calm Before the Storm, Winzavod Art Center, Moscow, Russia.
  • Paysage – Vidéo, Musée d’Art, Toulon, France.
  • Strange Places – Urban Landscape Photography, Stanley Picker Gallery, Kingston upon Thames, UK
  • The Borrowed Loop – Man & Eve, London, United Kingdom
  • Vanitas: The Transicence of Earthly Pleasures – London, United Kingdom.
  • Inner Landscapes – Bernheimer Fine Art Photography, Munich, Germany.
  • Roundabout – City Gallery, Wellington, New Zealand.
  • 2009 Flower Power,Villa Giulia – CRAA Centro Ricerca Arte Attuale, Turin,Italy.
  • Significant Colour, The Aram Gallery, London, UK.
  • Tel Aviv Times, Tel Aviv Museum of Contemporary Art, Tel Aviv, Israel
  • Hugging and Wrestling: Contemporary Israeli Photography and Video, Museum of Contemporary Art Cleveland, USA
  • Kosher & Co. – Über Essen und Religion,The Jewish Museum Berlin, Germany.
  • 2008 Order from Chaos, Centro Andaluz De La Fotografia, Almeria, Spain, Sala De Exposiciones santa ines, Sevilla, Spain.
  • Living Flowers – ikebana and contemporary art, Japanese American National Museum, Los Angeles, California, USA.
  • Nature Morte – Dead Nature, Rohrer Fine Art, Los Angeles, USA.
  • The Aerials of Sublime Transscapes, Lokaal 1, Breda, Holland.
  • Pomegranate: A video by Ori Gersht, The Jewish Museum, New York, USA.
  • Depletion, works from the Doron Sebbag Collection, Tel Aviv Museum, Tel Aviv, Israel.
  • Personal Landscape; contemporary Art from Israel, The Katzen, American University Museum, Washington, USA.
  • Visions in the Nunney, The Nunnery, London.
  • Static: Contemporary Still Life and Portraiture, Harris Museum and Art Gallery, Preston.
  • Mutation II; Europian Month of Photography, Masion Europeenne de la Photographie, Paris, Kulturprojekte, Berlin, Fotofo, Bratislave, Vladmir Und Estragon, Vienna, Association Café Crème, Luxenbourg, Musee de la Photographie, Moscou, Zone Attive, Rome
  • 2007 The Last Seduction of Welcome Surrender to Beauty, Carrie Secrist Gallery, Chicago, USA.
  • Loop ’07 – Barcelona – The Video Art festival, Galeria Dels Ángels, Barcelona, Spain.
  • Video Killed the Painting Star, Museum of Salamanca, Salamanca, Spain.
  • In Focus: Living History, Tate Modern, London.
  • Tate Britain, London, “Single Shot” commissioned by Film & Video Umbrella and The Film Council, UK.
  • 1st Architecture, Art and Landscape Biennial of the Canaries, Canary Island.
  • My Vision, ZEPHYR Raum für Fotografie,  Mannheim, Germany.
  • Dateline Israel: Recent Photography and Video (working title), The Jewish Museum, New York, USA.
  •  Historians of the Present, Blancpain Art Contemporain, Geneve.
  • 2006 Inside-Out, Contemporary Artists from Israel, museum MARCO, Vigo, Spain.
  • Making Journeys, Djanogly Gallery, Nottingham, UK.
  • Forest Primeval, MOCA (GA), Atlanta, USA .
  • Fata Morgana , Haifa Museum, Haifa, Israel.
  • Spatial Dualism in the Eye of the Camera – Landscape Photography 1945-1963, The Open Museum of Photography, Tel Hai, Israel.
  • Twillight: Photography in the Magic Hour, Victoria & Albert Museum, London.
  • Forest Dreaming, Centre for Contemporary Art and the Natural World, Exeter UK.
  • Fatamorgana: Illusion and Deception in Contemporary Art, Haifa Museum of Art
  • Lanterna Magica, Bat-Yam Museum of Art, Bat-Yam
  • 2005 Dreams and Trauma Haus der Kulturen der Welt, Berlin, Germany.
  • Camera Sacra, The Israel Museum, Jerusalem, Israel.
  • Etched Voices, Contemporary Artists and the Holocaust, Yad Vashem New Museum, Jerusalem, Israel.
  • Citizen, PM Galery & House, London, City Gallery, Leicester, Oriel Davies Gallery Newtown, Powys/Wales, Ormeau Bath Gallery Belfast, Northen Irland.
  • 2004 Historias, Photo España 2004, Madrid, Spain.
  • Tales of the City, curated for the British Council by students from the MA  Curating course, Goldsmiths College, Arte Fiera 2004, Bologna, Itally.
  • Onfuri International, Tirana, Albania.
  • 2003 Up Close and Personal, Nottingham Castle, Nottingham, UK.
  • Strangers To Ourselves, The Metropole Galleries, Folkestone, UK.
  • Independence, South London Gallery, London, UK.
  • Der Berg, Heidelberger Kunstverein, Heidelberg, Germany.
  • One Ground, California Museum of Photography, Riverside, USA.
  • 2002 Willard Boepple, Ori Gersht and Albrecht Schäfer, Andrew Mummery  Gallery, London, UK.
  • Reality Check: Recent Developments in British Photography and Video, curated by Kate Bush and Brett Rogers. Touring exhibition organised by The British Council and the Photographers Gallery.
  • Non-Places, Frankfurter Kunstverein, Frankfurt am Main.
  • 5:1, Fotogalerie, Altefeuerwache Kulturzentrum, Mannheim, Germany.
  • 2001 Melancholy, Northern Gallery for Contemporary Art, Sunderland, UK.
  •  Base Metal, Gallery Fine 2, London, UK.
  • Six International Fototage, Herten, Germany.
  • 2000 Tel Aviv Museum, exhibition of work by recipients of the Leon Constantine Photography                   Award for an Israeli Artist, Tel Aviv, Israel.
  • Don’t Worry, Chelsea & Westminster Hospital Arts, London, UK.
  • warningSHOTS!, Royal Armouries, Leeds, UK.
  • 1998-99 Global II Collection, Pearson Education, Edinburgh Gate, Harlow, Scotland.
  • 1998 Open Studios, Whitechapel Open, London, UK.
  • 1997 Home Ideals, curated by FAT, Therbeton St, London, UK.
  • Para-Site, curated by Kurt Vanbelleghem ,Gulden Vlies Galerijen, Brussels, Belgium.
  • 1996 John Kobal Award, National Portrait Gallery, London. Touring to the National Gallery of Edinburgh, Edinburgh; Museum of Film and Photography, Bath and Midland Arts Centre, Birmingham.
  • Deep Signal, Collective Gallery, Edinburgh and Gasworks Gallery, London, UK.
  • Lightness & Weight, curated  by Not Cut, The Custard Factory, Birmingham, UK.
  • After the Flood, Henry Moore Gallery, Royal College of Art, London, UK.
  • 1995 Atrium, Atrium Cork Street Gallery, London, UK.
  • Cabinet Art, Jason & Rhodes Gallery, London, UK.
  • Selected young artists, Bismarck Foundation, Paris, France.
  • 1994 South Bank Photo Show, Royal Festival Hall, London, UK.
  • 1993 British Transport Competition, Mall Gallery, London, UK.
  • 1992 21 eme Salon International de la Recherche Photographique, Royan Cedex, France.
  • Zone Gallery, Newcastle, UK.
  • 1991 South Bank Photo Show, Royal Festival Hall, London, UK.
  • 1990 South Bank Photo Show, Royal Festival Hall, London, UK.
  • Cartier Foundation Prize, ICA Gallery, London, UK.

 

Awards and Residencies

 

  • 2010 Award received, Beijing International Art Biennale 2010, BIAB10
  • 2006 Big Bang, a film Commissioned by the V&A for the Twillight: Photography in the Magic Hour Exhibition.
  • Pomegranate, Single Shot ; short film commissioned  by Film & Video Umbrella  and the Film Council UK.
  • 2005 The Forest, a film commissioned by Film & Video Umbrella.
  • 2004 First Prize winner, Onfuri International, Tirana, Albania.
  • 2003 Commissioned by the Contemporary Art Society to produce sight specific work for the Museum of Nottingham Castle in relation to the Drawing with Light Exhibition.
  • BBC White City Public Art Strategy Photographic Commission
  • 2002 Consultant to the architectural development planning of the South London Gallery
  • 2000 The Leon Constantiner Photography Award for an Israeli Artist, Tel Aviv Museum of Art, Israel
  • 1997 Residency at Whitefield School, Barnet
  • 1993 Prize winner at the British Transport Competition, Mall Gallery, London
  • 1990 Prize winner at the South Bank: annual show, Royal Festival Hall, London

 

Collections

 

  • Hirshhorn Museum and sculpture Garden, Washington DC, USA.
  • Museum of Fine Arts, Boston, USA.
  • Museum of Modern Art, San Francisco, USA.
  • Guggenheim Museum, New York, USA
  • Los Angeles County Museum of Modern Art, Los Angeles, USA
  • Jewish Museum, New York, USA
  • Hyde Park Center Collection, University of Chicago, USA
  • Henry Art Gallery, Seattle, Washington,USA
  • The Getty Museum, Los Angeles, USA
  • Santa Barbara Museum of Art, California, USA
  • 21c Museum, Kentucky USA
  • Knoxville Museum of Art, Tennessee,USA
  • Tate Gallery, London, UK
  • Victoria & Albert Museum, UK
  • Royal Armouries, Leeds, UK
  • Imperial War Museum, London, UK
  • UK Government Art Collection, UK
  • British Council, UK
  • Nottingham Castle Museum, Nottingham, UK
  • UBS
  • Deutsche Bank
  • Tel Aviv Museum of Contemporary Art, Tel Aviv, Israel
  • Israel Museum, Jerusalem, Israel

 

Bibliography

 

Monographs

 

  • 2005 The Clearing, Published by Film & Video Umbrella, ISBN 1-90427-021-2
  • 2002 Afterglow, Exhibition Catalogue, Tel Aviv Museum of Art, Tel Aviv, May 10-August 10 2002, August Publications, London. ISBN 1-902854-17-9
  • Day by Day, Pocko Editions, London 2002. ISBN 1-903977-06-1

 

Catalogues

 

  • 2011 Traveling Light, Simon Schama, Whitechapel Gallery, London.
  • El Arte del Comer – De La Naturaleza Muerta a Ferran Adria, Sergi Plans, Obra Social de Catalunya Caixa
  • When a Painting Moves… Something Must be Rotten!, Selene Wendt and Paco Barragan, Stenersen Museum, Oslo and Charta, Milano, pp41-44, 75
  • 2010 Impressionism and Video Art: Echo In Light, Département de Seine-Maritime, Normandie Impressioniste, Rouen, France (DVD-catalogue)
  • Vanitas – The Transience of Earthly Pleasures, Joe la Placa & Mark Sanders, ISBN 978-1-907164-03-3
  • Langford’s Basic Photography – The Guide for Serious Photographers, Michael Langford, Anna Fox & Richard Sawdon Smith, ISBN: 978-0-240-52168-8, p.28.
  • True Emotion- Seconds of Life Breaking the Edge, Lee Yong-hwan / Walter Bergmoser, Daegu Photo Biennale Organizing Committee, pp114-117.
  • Still Life in Photography, Paul Martineau, Getty Publications, pp 14, ISBN 978-1-60606-033-9
  • XV11. ROHKUNSTBAU, Atlantis II, Hidden Histories – Imagined Identities, 9.7-12.9.2010, pp 82-85, ISBN 978-3-89930-306-3
  • Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, Blessing Trotman, pp 108.
  • Roundabout 2010, Ori Gersht Time Slice, 2010, pp 31, 166-167.
  • Death Drive – Freudian Hauntings in Literature and Art, Robert Rowland Smith, Edinburgh University Press, Edinburgh, UK.
  • 2009 Hugging & Wrestling – Contemporary Israeli Photography and Video, Museum of Contemporary Art, Cleveland, USA, pp8 & 38-43.
  • Israeli Art Now, edited by Iris Rywkind Ben-Zour and Revital Alcalay, Modan Publishing House Ltd., pp72-73, ISBN 978-965-7141-13-7.
  • 2009 Tel Aviv Time, edited by Tamar Fox, Tel Aviv Museum of Art, Tel Aviv, Israel, pp 60-63, ISBN 978-965-7161-84-5.
  • 2008 Depletion – Works from the Doron Sebbag Art Collection, ORS Ltd., Aya Lurie & Nili Goren, pp 66-67, Tel Aviv Museum of Art, Tel Aviv, Israel, ISBN 978-965-7161-67-8.
  • Mutations II – Moving Stills, Jean-Luc Soret, pp 48-51, European Month of Photography, Café-Créme asbl, Luxembourg, ISBN 978-287978074-0.
  • Order From Chaos – Contemporary Photography from Britain, Tamar Arnon & Eli Zagury, pp 13-33, Junta De Andalucia – Conserejia de Cultura, Almeria, Spain, ISBN 978-84-8266-833-8.
  • 2007 The Last Seduction of Welcome Surrender to Beauty, Carrie Secrist, pp 46-47, Carrie Secrist Gallery, Chicago.
  • V&A – 150 Anniversary, Mark Jones, pp32, Victoria & Albert Museum, South Kensington, London
  • Moods an Modes in Israeli Photography, pp36-39, Tel Aviv Museum of Art, Tel Aviv, Israel, ISBN 978-965-7161-57-9
  • Image Maaakers Image Takers, Anne-Celine Jaeger, pp 210; 211 Thames & Hudson, London, ISBN -13 978-0-500-28662-3, ISBN-10 0-50028662-0
  • Dateline:Israel – New Photography and Video Art, Susan Tumarkin Goodman, The Jewish Museum, New York & Yale University Press, ISBN 978-0-300-11156-9
  • My Vision – Iseen Für die Welt von Morgen, Alfried Wieczorek / Thomas Schirmböck, Kehrer, Heidelberg, ISBN 978-3-939583-25-7
  • First Architecture Art and Landscape Biennial of the Canaries, Ana Botella Diez del Corral / Rosa Suarez Vera, ISBN 978-84-7947-433-1
  • 2006 Inside-Out – Contemporary Artists from Israel, Octavio Zaya, MARCO Museum, Vigo, ISBN 84-934364-6-1
  • Fatamorgana- Illusion and Deception in Contemporary Art, Tami Katz-Freiman, Haifa Museum of Art, Haifa, Israel
  • New Art From London, Chris Townsend, Thames & Hudson, London, 2006, ISBN-13 978-0-500-28606-7, ISBN-10 0-500-28606-X
  • 2004 The Photograph as Contemporary Art, Charlotte Cotton, pp. 170-171, Thames & Hudson World of Art, ISBN 0-500-20380-6
  • Photo España 04, La Fabrica, Madrid. ISBN 84-9571-97-3
  • Tales of the City, British Council, Bologna Fiere, Italy. ISBN 88-422-1232-6
  • Young Israeli Art, The Jacques & Eugenie O’Hana Collection, Tel Aviv Museum of Art, Tel Aviv. ISBN 965-7161-04-5
  • 2003 Up Close and Personal, Nottingham Castle Museum, Nottingham. ISBN 0-905-634-659
  • Strangers to Ourselves, The Metropole Galleries, Folkestone. ISBN 0-9518262-2-0
  • Israeli Contemporary Photography. Three Generations, Tel Aviv Museum of Art, Tel Aviv. Cat. 8
  • Der Berg, Hans Gercke, Heidelberger Kunstverein, Kehrer Verlag, Heidelberg. ISBN 3-933257-99-9
  • 2002 Reality Check, The British Council and The Photographers Gallery, London, UK. Cat. / Publ.
  • Non Places, Frankfurter Kunstverein, Lukas & Stenberg, Frankfurt am Main. ISBN 0-9711193-3-3
  • 2001 City Levels, Nick Barley and Ally Ireson, August/Birkhauser, London and Basel, pp. 24, 25, & 53
  • Six International Fototage, Herten, DAS Bild Forum, Germany. ISBN 3-7643-6315-0
  • 2000 Don’t Worry, published by Chelsea & Westminster Hospital Arts, London.
  • warning Shots, published by Royal Armouries Museum, Leeds. ISDN 0-948092-44-0 
  • A Case for Art: A Contemporary Art Collection, published by DLA & Partners, London
  • Don’t Worry, published by Chelsea & Westminster Hospital Arts, London
  • 1997 Para-Site, text by Denis Gielen “Passage autorisé”, Published by Gulden Vlies Galerijen, Brussels.
  • 1996 John Kobal Award, published by National Portrait Gallery, London.
  • After the Flood, text by Paul Kilsby. Published by Royal College of Art, London
  • Lightness & Weight, published by Not Cut, London

 

Periodicals

 

  • 2011 A Thousand and One Nights, Or More, Sergio Rubira, Exit 43 – By Night, pp 16-32, 146.
  • Ori Gersht, Vicky Lowry, Elle Décor, October 2011, pp136-138.
  • Ori Gersht – Lost in Time, Santa Barbara Museum of Art – Bulletin, pp 2, 8-9.
  • 2010 Enigmatic Landscapes, Liz Wells, Exit 38 – Silent Landscapes, pp 38-45, 2-3, 32-33, ISSN 1577272-1.
  • Ori Gersht, Portfolio – Special 50th Edition, pp40-41, Issue 50, ISSN1354-4446.
  • The Drawbridge: Action, No.17, Summer 2010, Cover page, ISBN 9-771752-735014
  • Bang to  Beauty: A Conversation between Ori Gersht and Wang Lang, Wang Lang, Chinese Photography, Issue 7, July 2010, pp 58-69, ISSN 0529-6420
  • World Press Photo: Review June 2010, Personal Choice: Camilla Brown, June 2010, pp 16
  • Ori Gersht, MSUSE, Issue 2, August 2010, pp14-15, ISBN 0-002000-523534
  • 2009 Ori Gersht, Paul Flynn, Artist Profile, pp60-64, Issue 8 2009, ISSN 1834-7940.
  • Ori Gersht puts five questions to David Claerbout, Modern Painters, p 80, May 2009, ISSN 0953-6698
  • Ori Gersht, Carol Armstrong, EIKON, pp 26-31, Issue 66, May 2009, ISBN 978-3-902250-47-6
  • Incursioni Spaziali, Fernanda Dix, Domus, pp 1,3 (cover story), no.923-03/09
  • 2008 Art and Violence: On Ori Gersht, Carol Armstrong, Portfolio, pp 22-29, No.47, May 2008,                     ISSN 1354-4446
  • Time After Time: Ori Gersht, Jean Wainwright, Next Level, pp 40-45, Edition 13, 2007, ISSN 1476-4369
  • 2007 What Can We Do with Photography?, Michael Schmidt, Art Monthly, pp 1-4, No 312, December 2007-January 2008
  • Exploding Flowers and Other Matters, Ori Gersht, Exit, pp 44-49, Issue 6-28, November 2007 – January 2008, ISSN 1577-272-1
  • The Ultimate Present, Jean Dykstra, Art On Paper, pp 34-35, vol.12, no.1, September/October 2007, ISSN 1521-7922
  • 50 British Artist  in This Time, Toyoko Ito, Avantgarde, pp 21, vol.2, 2007
  • War& Flowers & the Lessons in Between, Amanda Loomes, total:spec, pp 124-125, issue 25,
  • October 2007
  • 2006 Blood Harvest: Ori Gersht, Skye Sherwin, Art Review, pp 6, 126-127, Issue 04, October 2006,
  • ISSN 0004-4091
  • Selection of images; Front cover, pp 22, 56, 98, 120, 183, 201 The New Rainbow ( A Keshet Ahadasha), Issue 18 Winter 2006, ISSN 1565-3692
  • Toward The Re-Presentation Of History, in conversation with Richard Dyer, Plunk, pp 28-33, issue 28 Jan/Feb 2006, ISSN 14739933
  • Lest We Forget, Cent, pp.60-63, Issue6, Spring 2006,
  • Inside and Back covers, Day Light Magazine, Issue 4/2006, ISSN 1550-7343
  • 2005 Distilling The Essence, Miramda Gavin, Hot Shoe, Issue 138, October/November, pp 18-25
  • Being And Nothingness, Mark Rappolt, Modern Painters, April 20005, pp. 90-93, ISSN9536698      
  • 2003 Interview with Jean Wainwright, Audio Art Magazine, Vol. 21, No. 2
  • Rear Window, AA Files, 49, 2003, pp. 70-75, ISSN  0261-6823, ISBN 1-902901-34-3
  • A Sense Of Place In The Work Of Ori Gersht & Shirin Neshat, Kathy Kunicki, Film Wave Magazine/ Art IN Sight, Issue 20, January 2003, pp. 5-7
  • Being There, Joanna Lowry, Photoworks, issue 2, pp32-35 Jan 2003, ISSN 1-903796-07-5
  • 2002 Being There, Swapna Tamhane, Flux, Issue 31, June/July 2002, pp. 32-33      
  • The Knowledge Factory, David Brittain, Portfolio, No. 35, June 2002
  • Afterglow, Interview with Martin Coomer, Time Out London, , No. 1657, 15 May  2002
  • Ilan Nahshon, Interview for the weekend Supplement, Yediot Aharonot, 10 May 2002, pp  68-72
  • 2001 Ori Gersht: Afterwars, Morgan Falconer, , Art Review, July/August  2001
  • Afterwars,  AA  Files, 42, 2001, inside cover and pp. 36-38, ISSN  0261-6832, ISBN 1-902902-18-1
  • War Baby, Morgan Falconer, What’s On, 30 May  2001
  • White Noise, Muza Art Quarterly, 4, April 2001, pp. 64-65 (Hebrew)
  • 2000 Pitch, Studio Art Magazine, 116, August-September 2000, Tel Aviv,  cover and pp. 25-33 (Hebrew)
  • White Noise, Hotshoe International, May/June 2000, pp. 14 – 19
  • 1999 Afterwars, Bosnia, Portfolio, Edinburgh, Issue 30, November, pp. 46-48
  • Afterwars, Bosnia, Piers Masterson, Creative Camera, London, Issue 360, October-November, pp. 20-27
  • Afterwars, Bosnia, Zoo, London, Issue 3, October, pp. 310 – 311
  • Afterwars, Bosnia, Everything Magazine, London, Issue 2:4, pp. 26,27 & 30
  • Special for Studio: Afterwars and Rear Window, Studio Art Magazine, Tel Aviv, No. 101

 

Radio

 

  • 2003 New Brit Art, Programme 3: Ori Gersht, BBC Radio 4, Presented by Yasmin Alibhai-Brown, producer Michael Nangla

 

Reviews

 

  • 2010 Martin Herbert, Ori Gersht – Places That Were Not, Mummery + Schnelle Gallery, Art Review, March 2010, p123
  • Laura Mclean-Ferris, London Reviews Marathon, Ori Gersht – Mummery + Schnelle, Art Review, April 2010, p89
  • Jean Wainwright, Ori Gersht – Places That Were Not, Andrew Mummery Gallery, London, Hotshoe, Feb-March 2010, pp 84-85
  • 2008 Miranda Gavin, Ori Gersht – Time After Time, Yale Centre for British Art, Yale University, Hot Shoe, December 2007 – January 2008, pp 66-67
  • 2007 Alicia Miller, The Shattering of Beauty and Frailty, Time After Time, Source, Winter 2007, pp68-69
  • Judy Birke, A family diary and the Holocaust inspire haunting Gersht work at Yale CBA, Yale Centre for British Art, Yale University, New Haven Register, November 25, 2007
  • Jakob Dorof, Ori Gershts ‘uniquely powerful’ video installation arrives at British Art Center, Yale Center for British Art Centre, Yale University, Yale News, December 2007, pp5
  • Holland Cotter, Snap judgements of Israel, More Than Words Can Say, Dateline Israel: New Photography & Video Art, Jewish Museum, The New York Times – The Arts, April 14
  • 2006 Michael Glover, Keep is short, keep it sweet, Single Shot, Tate Britain, The Times, Nov 8, pp 15 Gareth Evans, Experimental as anything, Single Shot, Tate Britain, Time Out London, Nov, pp 81, 88
  • Fiona Macdonald, Magic of the lens at twilight, Twilight, Victoria & Albert Museum, Metro, Oct 13, pp 37.
  • Helen Sumpter, Lost in the twilight zone, Twilight, Victoria & Albert Museum, Time Out London, Nov, 2006, pp 44.
  • Ariane Bankes, The witching Hour, Twilight, Victoria & Albert Museum, The Spectator, Oct 21, pp 60-61.
  • Semadar Sheffi, Liquidation, Noga Gallery, Haaretz Newspaper, Galleria Supplement Israel, Oct 20.
  • Eithan Bogonien, The Forest, Tel Aviv Museum, Globes Newspaper, Culture Supplement, Israel, Oct 8 2006, pp12.
  • Uzi Tzuor , Liquidation, Noga Gallery, Haaretz Newspaper, Literature & Culture Supplement, Israel, Sep 29, p-3
  • Dana Gillerman The Forest & Liquidation, Tel Aviv Museum & Noga Gallery, Haaretz Newspaper, Galleria Supplement, Sep 15, p 3, Israel.
  • Timothy Liu, Ori Gersht New York, Art Paper, May/June 2006, pp 64-65, ISSN15249581
  • Nancy Princenthal, Ori Gersht at CRG, The Forest, Art In America , May 2006, pp 184-185.
  • Toby Haggith, Ori Gersht–The Clearing, Photographers Gallery, Filmwaves / Art In-Sight, issue 30, pp. 16-18,ISSN 14604051.
  • Roy Exley, The Clearing, Photographers Gallery, Flash Art, vol XXXIX No 247, April 2006, p113.
  • Lucy Steeds, The Clearing, Photographers Gallery Art Review, March 2006 Volume LXII, p.126.
  • Sarah Kent, The Clearing, Photographers Gallery, Time Out London, January 25- Feb 1 2006, p.36, p.37 ( listed as Critic’s Choice).
  • Millie Simpson, The Clearing, Photographers Gallery, The Drawbridge, issue three, Autumn 2006, pp 1
  • Rachel Campbell-Johnston, The Clearing, Photographers Gallery, Critic’s Choice, Top Five Galleries, The Knowledge, The Times (Wales/West England), 11th-17th March, p.37 
  • 2005 Adrian Searle, The Secrets Of The Forest, The Clearing, Photographers Gallery, The Guardian, Dec 20, G2 pp18-20.   
  • Andrew Graham-Dixon, The Clearing, Photographers Gallery, Telegraph, Dec 11.
  • Hephzibah Anderson, The Clearing, Photographers Gallery, Critic’s Choice, Top Five Exhibitions, Evening Standard, Dec 8. 
  • 2004 Lucy Soutter, Trees and Culture, Blaze, AMG Gallery, Source Mgazine, issue 41 Winter 2004, pp46-47, ISSN 13692224.
  • Edgy Armory Show In The Spotlight, Ghost, CRG Gallery, Art In America, Front Page pp47-48 Issue 5 May.
  • Simon Gould, London: The Austrian Cultural Forum, Contemporary Magazine, no70 2005, pp 66-67, ISSN14759853.
  • Catherine Morland, London: Andrew Mummery   Gallery: Blaze, Contemporary Magazine, no69, p76, ISSN14759853.
  • Helen Sumpter, Blaze,  Andrew Mummery, Time  Out London, October 11- 17.
  • Holly Myers, Sense of Mysticism  and Sense of Balance. Weathered but Living Ghost, Ghost, Angles Gallery, Los Angeles Times, June 18.
  • Tyler Green, LA Galleries Roundup, part two: Ori Gersht at Angles Gallery, Modern Art Notes, June 4.
  • Dana Gilerman, Blaze, Noga Gallery, Haaretz Newspaper, Galleria Supplement, Israel, Sep 2, pD4.
  • Ruti Director, Blaze, Noga Gallery, Hair Magazine Magazine,  Israel, Sep 9, p70.
  • Rivka Meir, Blaze, Noga Gallery , Time Out Tel Aviv, Israel, 9th-14th Sep, p89.
  • Nomi Siman-Tov, Blaze, Noga Gallery, Haaretz Newspaper ,Galleria Supplement, Israel, Sep 24, pD3
  • Ido Arrari, Blaze, Noga Gallery, Maariv, Newspaper, Culture Supplament Israel, Sep 24.
  • 2003 Brian Sholis, Ori Gersht – CRG Gallery, Flash Art International, No 229, March-April, p. 110-111.
  • Sarah Douglas, Ori Gersht, The Art Newspaper, No. 132, January.
  • 2002 Quotidien de la FIAC, Numéro 5, Les Journal des Art, October 24-28. 
  • Jean Dykstra, Afterglow: Ori Gersht, Art on Paper, Vol. 7, No. 1, p. 110.
  • Sarah Douglas, Ori Gersht: White Noise, Angles Gallery Los Angeles, The Art Newspaper, No. 127, July-August, p. 9.
  • Sarah Kent, Afterglow, Tate Britain, Time Out London, 3-10 July, No. 1663.
  • Jean Wainwright, Ori Gersht, Art Monthly, July/August.
  • Jean Wainwright, Ori Gersht, PLUK, July/August.
  • Verena Kuni, Non Places, Kunstverein Frankfurt am Main, Frieze, issue 67 May, pp102-03.
  • Mark Kebble, World Cup, Angel Magazines, June.
  • Tali Garbuz, Afterglow (Tel Aviv Museum), Hair Magazine , 13 June.
  • Gil Goldfine, Afterglow Tel Aviv Museum, Jerusalem Post, May 31.
  • Uzi Tzuor , Two Photographers – Two Worlds, Haaretz Newspaper, Literature & Culture Supplement, Sep 15, pp 4-5.
  • Irina Gordon, Afterglow, Haaretz, Supplement, Israel, June.
  • Smadar Sheffi, Ephemeral Tracks, Haaretz Newspaper, Galeria, Israel, August 8.
  • Art Now – Ori Gersht: Afterglow, Absolutearts.com, May. 
  • Joanna Pitman, A Voice From the Desert, The Times, Wednesday, May 29.
  • Martin Coomer, The Knowledge, Time Out London, May 15-22.
  • Rachel Whiters, Afterglow-Tate Britain, Mass Culture-Andrew Mummery Gallery, Art Forum OnLine .2001
  • Richard West, Afterwars, Source Magazine, Issue 28, Autumn  2001, pp. 46-47, ISSN 1369-2224.
  • Afterwars exhibit exposed in Belfast, Andersonstown News, June 9, p. 34.
  • Dana Gillerman, White Noise, Noga Gallery, Haaretz Newspaper, Galleria Supplement, Israel, April.
  • Gilad Melzer, White Noise, Noga Gallery, Yediot Aharonot  Newspaper, Israel, April.
  • Tali Garbuz, White Noise, Noga Gallery, Hair Magazine Magazine, Israel, 5 April, p.132.
  • 2000 Pitch, Chisnehale Gallery , Flash Art International, No. 214, October, p. 41, ISSN  7336-164783.
  • Mark Currah, Pitch, Chisnehale Gallery,, Time Out London, Issue 1573, October 11-18.
  • Simon Morley, Pitch, Chisnehale Gallery,, Independent on Sunday, October 8.
  • Simmy   Richman, They Think It’s All Over, Pitch, Chisnehale Gallery, Independent on Sunday, Sep.
  • Pitch, Chisnehale Gallery,, Hot Tickets, 22 September.
  • Adrian Searle, Warning SHOTS!, The Guardian, June.
  • Alison Green, Don’t Worry, Art Monthly, May/June.
  • 1999 Gilad Melzer, Vital Signs: Noga Gallery, Yediot Aharonot Newspaper, Israel, November.
  • Dana Gilerman, Vital Signs: Noga Gallery, Hair Magazine, Israel, October.
  • Yuav Shemueli, Vital Signs: Noga Gallery, Hair Magazine, Tel Aviv, Israel.
  • Piers Masterson, Afterwars, Art Paper, USA, September.                               
  • Julia Thrift, AfterWars, Time Out London, 16-23 June, No. 1504
  • Rebecca Geldard, AfterWars, londonart.co.uk magazine, 16 June.
  • Chris Townsend, AfterWars, HotShoe, June.
  • 1997 Pierre-Olivier Rollin, Para-site ‘Parasitisme’ Structurel, Art & Culture, Brussels, April.
  • 1996 Piers Masterson, Lightness & Weight, Birmingham, Untitled, September.
  • Lightness & Weight, Birmingham, Artists Newsletter, September, p. 27.
  • Sue Hubbard, Deep Signal, Time Out London, 18-25 September, p. 50.
  • 1995 Update, Art Review, May.
  • 1994 Hotshots: South Bank Photo Show, Time Out London, 15 – 22 June.
  • 1993 Shop Window, Art Review, April, p. 42.
  • 1992 Playing with Reality, New Moon, November.
  • People, HotShoe International, N° 64, p. 6.
  • Mark Little, Ori Gersht, The Crack, Newcastle, August, p. 39.