 |
 |
|
|
|
Education |
|
| 1992 |
• |
Whitney Museum of American Art, Independent Study Program, NY |
| 1991 |
• |
National Graduate Photography Seminar, Tisch School of the Arts, New York University |
| 1990 |
• |
MFA, California Institute of the Arts, Valencia, CA |
| 1988 |
• |
BA with honors, Wesleyan University, Middletown, CT |
|
| Solo Exhibitions |
|
| 2008 |
• |
Lyle Ashton Harris: Blow Up, Scottsdale Museum of Contemporary Art, Scottsdale, AZ / UB Center for the Arts, Buffalo, NY |
| 2004 |
• |
Lyle Ashton Harris, Galerie Nathalie Obadia, Paris, France |
|
• |
Lyle Ashton Harris, Rhona Hoffman Gallery, Chicago, IL |
| 2003 |
• |
Memoirs of Hadrian, CRG Gallery, New York, NY |
| 2002 |
• |
New Work, Baldwin Gallery, Aspen, CO |
| 1999 |
• |
20 x 24, Aldrich Museum of Contemporary Art, Ridgefield, CT |
| 1998 |
• |
Distillation, Galerie Analix Forever, Geneva, Switzerland |
|
• |
Alchemy, in collaboration with Thomas Allen Harris, New Langston Arts, San Francisco, CA. Traveled to Corcoran Gallery of Art, Washington, DC |
| 1997 |
• |
The White Face Series, Thomas Erben Gallery, NY |
| 1996 |
• |
The Watering Hole, Jack Tilton Gallery, NY |
|
• |
Select Photographs, Centro de Arte Euroamericano, Caracas, Venezuela |
| 1994 |
• |
The Good Life, Jack Tilton Gallery, New York, NY |
|
• |
Redemption, Schmidt Contemporary Art, St. Louis, MO |
| 1993 |
• |
Americas, Simon Watson’s Living Room, NY |
|
• |
Face, Broadway Window, New Museum of Contemporary Art, New York, NY |
|
| Group Exhibitions |
|
| 2008 |
• |
Expenditure, Busan Biennale 2008, Busan Museum of Modern Art, Busan, South Korea |
|
• |
Sketches from the Shore, Neil L. and Angelica Zander Rudenstine Gallery, Harvard University, Cambridge, MA |
|
• |
S&M: Shines and Masquerades in Cosmopolitan Times, East Galleries, New York University, New York, NY |
| 2007 |
• |
52nd Venice Biennale, Venice, Italy |
|
• |
Photography And The Self: The Legacy of F. Holland Day, Whitney Museum of American Art, New York, NY |
| 2006 |
• |
Other families, Pallazo Cavour, Turin, Italy |
|
• |
Bienal de Arte Contemporaneo de Sevilla, Seville, Spain |
|
• |
GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY |
| 2005 |
• |
Male Desire Two, Mary Ryan Gallery, NY |
|
• |
IDENTITÀ & nomadismo, Palazzo delle Papesse, Centro Arte Contemporanea, Siena |
|
• |
Earth and Memory: African and African American Photography, Elizabeth Stone Harper Gallery, Presbyterian College, Clinton, SC |
| 2004 |
• |
Selves and Others, The Bronx Museum of the Arts, Bronx, NY |
|
• |
Male Body Image, Storrs Gallery, University of Connecticut, Storrs, CT |
|
• |
neoqueer, Center on Contemporary Art, Seattle, WA |
|
• |
Disparities and Deformations: Our Grotesque, SITE Santa Fe’s Fifth International Biennial Santa Fe, NM |
|
• |
The Muse, Leslie Tonkonow Artworks + Projects, New York, NY |
|
• |
African American Artists in Los Angeles, A Survey Exhibition: Fade (1990-2003) Luckman |
|
• |
Gallery, California State University, Los Angeles, CA |
| 2003 |
• |
American Tableaux: Many Voices, Many Stories at Miami Art Museum, Miami, FL |
|
• |
The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis, MN |
|
• |
Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, NY |
| 2002 |
• |
Typical Men: Recent Photography of the Male Body by Men, Gallery of Modern Art, Glasgow |
|
• |
Goddess, Galerie Lelong, New York, NY |
| 2001 |
• |
Rome Prize Fellow’s Show, The American Academy in Rome, Rome, Italy |
|
• |
Love Supreme, La Criee Centre D’Art Contemporain, Rennes, France |
| 2000 |
• |
Self-Portraits, Kwangju Biennale, Seoul, Korea |
|
• |
Masterminds of Mode: International Fashion Festival in Japan, Mitsukoshi, Tokyo; Kobe Fashion Museum, Kobe; Mitsubishi-Jisho Atrium, Fukuoka |
|
• |
Faith, The Aldrich Museum of Contemporary Art, Ridgefield, CT |
| 1999 |
• |
Ghost in the Shell - Photography and the Human Soul, 1850-2000, Los Angeles County Museum of Art, Los Angeles, CA |
| 1998 |
• |
816, Galerie Analix B Polla & C Cargnel, Paris |
|
• |
Welcome, Citt...Sant’Angelo, curated by Renato Bianchini |
|
• |
1998 Diana.98, Museum fur Gegenwartskunst, Zurich |
|
• |
Millenovecento, Galerie Analix B Polla & C Cargnel, Paris |
|
• |
Aids Worlds - Between Resignation and Hope, Center of Contemporary Art, Geneva and Dialogai, Geneva, Switzerland |
|
• |
Black Nudes: New Identities, Gay Games Amsterdam 1998, Amsterdam, Netherlands |
|
• |
Postcards from Black America, De Beyerd Center of Contemporary Art, Breda, Netherlands |
| 1997 |
• |
Scene of the Crime, UCLA/Armand Hammer Museum of Art, Los Angeles, CA |
|
• |
Selections from the Audrey & Sydney Irmas Collection of Photographic Self Portraits: 1940-96, Los Angeles County Museum of Art, Los Angeles, CA |
|
• |
Rrose is a Rrose is a Rrose: Gender Performance in Photography, Guggenheim Museum |
|
• |
New York. Traveled to The Andy Warhol Museum, Pittsburgh, PA |
|
• |
Bang! The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL |
|
• |
This End Up: Selections from the collection of Robert J. Shiffler, Cleveland Center for Contemporary Art, Cleveland, OH |
|
• |
Face & Figure: Contemporary Art, Museum of Fine Art, Boston, MA |
| 1996 |
• |
Adrift, Bard College, Annandale-on-the-Hudson, New York |
|
• |
Hotter than July, Margo Leavin Gallery, Los Angeles, CA |
|
• |
Interzones, Kunstforeningen, Copenhagen, Denmark |
|
• |
Traveled to Konstmuseum, Uppsala, Sweden |
|
• |
Persona, Renaissance Society at the University of Chicago, Chicago, IL |
|
• |
Portraits, James Graham and Sons, New York, NY |
|
• |
The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA |
| 1995 |
• |
Face Value: American Portraits, The Parish Art Museum, Southampton, NY. Traveled to: Wexner Center for the Arts, Columbus, OH and Tampa Museum of Art, Tampa, Florida |
|
• |
Desire - Borealis 7, Helsinki City Museum and The Nordic Arts Centre, Helsinki, Finland |
|
• |
Traveled to Louisiana Museum of Art, Denmark, 1996 |
|
• |
Hard Comforts, Zikha Gallery, Wesleyan University, Middletown, CT |
|
• |
Human / Nature, New Museum of Contemporary Art, New York |
|
• |
In a Different Light, Berkeley Art Center/Pacific Film Archive, Berkeley, CA |
|
• |
Inside/Out, Aldrich Museum, Ridgefield, CT |
|
• |
Mirage: Enigmas of Race, Difference and Desire, ICA, London, England |
|
• |
Masculine Masquerade, MIT List Art Center, Boston, MA |
|
• |
Narcissistic Disturbance, Otis Gallery, Los Angeles, CA |
|
• |
Pervert, Fine Arts Gallery, University of California/Irvine, Irvine, CA |
|
• |
Picture Thoughts, Ambrosino Gallery, Miami, FL |
|
• |
P.L.A.N.(Photography Los Angeles Now), Los Angeles County Museum of Art, Los Angeles, CA |
|
• |
Traces: The Body in Contemporary Photography, Bronx Museum of Art, Bronx, NY |
|
• |
Uncertain Identity II, Galerie Analix at Basel Art Fair, Geneva, Switzerland |
|
• |
Video: Immagine e Poggetto- Artisti degli Stati Uniti, Museo Laboratorio Di Arte |
|
• |
Contemporanea, Rome, Italy |
| 1994 |
• |
Black Male: Representations of Masculinity in Contemporary Art, Whitney Museum of American Art, New York. Traveled to: UCLA/Armand Hammer Museum of Art, Los Angeles, CA 1995 |
|
• |
Telling...Stories, Randolph Street Gallery, Chicago, IL |
| 1993 |
• |
Ciphers of Identity, University of Maryland, Baltimore, MD. Traveled to: Ronald Feldman Gallery, New York |
|
• |
University of South Florida Contemporary Art Museum, Tampa, FL |
|
• |
Fine Arts Gallery University of California, Irvine, CA |
|
• |
Contemporary Art Center, New Orleans, LA |
|
• |
Woodruff Art Center, Atlanta College of Art, Atlanta, GA |
|
• |
Kemper Museum of Contemporary Art and Design, Kansas City, MO |
|
• |
Dress Codes, Institute of Contemporary Art, Boston, MA |
|
• |
42nd Street Art Project: Victory Parade, Times Square, New York |
|
• |
Identifications and Desires, Real Art Ways, Hartford, CT |
|
• |
In Out of the Cold: Redemption, Center for the Arts Yerba Buena Gardens, San Francisco, CA |
|
• |
Markets of Resistance, White Columns, New York, NY |
| 1992 |
• |
ainsi font font font, Galerie Rizzo, Paris, France |
|
• |
Body Politic, Santa Monica Museum of Art, Santa Monica, CA Fever, Exit Art, NY |
|
• |
In The World, Contemporary Art Gallery, Vancouver, Canada |
|
• |
LAX: Los Angeles Exhibition, Santa Monica Museum, Santa Monica, CA |
|
• |
Multiples, Daniel Bucholz, Koln, Germany |
|
• |
Presenting Rearwards, Rosamund Felsen Gallery, Los Angeles, CA |
|
• |
Reclaiming Sensuality, California Museum of Photography, Riverside, CA |
|
• |
Schwarze Kunst: Konzepte zu Politik and Identital, NGBK, Berlin, Germany |
| 1991 |
• |
Acquired Visions: Seeing Ourselves Through AIDS, Studio Museum of Harlem, NY |
|
• |
AutoPortraits, Camerawork, London, England |
|
• |
Disputed Identities, Camerawork, San Francisco, CA. Traveled to: Contemporary Arts Center, New Orleans, LA |
|
• |
Someone/Somebody, Meyers/Bloom Gallery, Los Angeles, CA |
|
• |
Situation, New Langston Arts, San Francisco, CA |
|
| Published Photographs |
|
| 2004 |
• |
Hannaham, James, "Beyond the Pale," New York Magazine, Summer Issue, June 28-July 5, p.99 |
|
• |
Fusco, Coco and Wallis, Brian, Only Skin Deep, Changing Visions Of The American Self, International Center of Photography, Harry N. Abrams, Inc., NY, p.260, 328 & 329 |
| 2003 |
• |
Kenner, Rob and Pitts, George. "VX: 10 Years of Vibe Photography" p.119 |
|
• |
Holt, Henry, Gore, Al and Tipper, The Spirit of Family, p. 89 |
| 2002 |
• |
Kuper, Simon, "The World’s Game is not just a Game," The New York Times Magazine May 26, p. 37 - 41 |
|
• |
Wolf, Sylvia, Visions from America: Photographs from the Whitney Museum of American Art 1940-2001, p. 21, Prestel |
|
• |
Goodman, Wendy, Retour a Harlem, Architectural Digest (French edition), Nov. p. 124 |
|
• |
Andrews, Richard, Short Stories on Photography: Joseph and Elaine Monsen Collection at the Henry Art Gallery, p. 9 |
| 2001 |
• |
Max, D.T., "To Sleep no More," The New York Times Magazine, May 6, p. 74 -75 |
|
• |
Stanley, Alessandra, "Berlusconi, The Return," The New York Times Magazine, April 15, p. 40, (photographed Silvio Berlusconi) |
|
• |
Hyland, John, "Hot Chicks, Cool Rooms," The New York Times Magazine’s Fashions of the Times, Spring Issue, p.185 |
|
• |
Good, Karen Renee, "Vibe Hip Hope Divas," Three Rivers Press |
| 2000 |
• |
Prose, Francis, "Till Death do us Part," Aperture, No. 159, p. 59 |
|
• |
Wallach, Amei, "The Widow Peaks," The New York Times Magazine, Sept. 24, p. 59 (photographed Yoko Ono) |
|
• |
Harris, Lyle Ashton, "Next: Rappers and Proteges," Vibe Magazine, Sept., p. 128-132 (photographed Missy Elliott, Fat Joe, Cuban Link, Jill Scott, The Roots, Lil’Bow Wow and Jermaine Dupri) |
|
• |
Harris, Lyle Ashton, "What’s Really on the Minds of Americans: A Special Photography Issue, "The New York Times Magazine, May 7, p. 65, (commissioned Self-Portrait) |
|
• |
Ex, Kris, "The Art of War," Vibe, August, p. 24 & 145 (photographed Dead Prez) |
|
• |
Taylor, Stuart, "The Supreme Question," Newsweek, July 10, p. 18-19, (photo illustration) |
|
• |
Harris, Lyle Ashton, "Hollywood: Special Collector’s Issue," Code Magazine, March, p. 58 (photographed John Singleton, Jeffery Wright, Malcolm Lee and Reginald Hudlin) |
|
• |
Harris, Lyle Ashton, "Lyle Ashton Harris and Chuck Close: A Conversation" NKA, Fall/ Fall/Winter 2000, p. 56-63 and back cover |
| 1999 |
• |
Elie, Paul, "The Next Cardinal," The New York Times, October 10, p.70-73 |
|
• |
Dent, David, "The Gospel According to Conrad Muhammad,"Vibe, p. 142-146 (photographed Conrad Muhammad) |
| 1997 |
• |
Bruni, Frank, "Reconstructing Marky Mark," The New York Times, August 31, p. 26-29 (photographed Mark Walberg) |
|
• |
DeParle, Jason, "Welfare to Work: A Sequel," The New York Times, De. 28, p. 14-17 |
|
• |
"The New Black Power," Fortune, August 4, cover and p. 47 |
|
• |
"Apocalyptic Wallpaper," Wexner Center for the Arts, Ohio State University, Columbus, Ohio, p. 51 |
|
• |
"A Thing of Beauty is...," Art and Design Magazine - Art’s Design Profile, no. 54 |
|
• |
"Rrose is a Rrose is a Rrose: Gender Performance in Photography," Guggenheim Museum, New York, 1997 (book project) |
|
• |
"Uncommon Sense," Los Angeles Museum of Contemporary Art, Los Angeles, CA (book project) |
|
• |
Harris, Lyle Ashton, "Times Square: A Special Photography Issue," The New York Times Magazine, May 18, pages 61, 64-65 Rimanelli, David, "A Drift," Artforum, February, p. 83 |
|
• |
William Hood & William Stern, "Pardon Our Appearance: Masculinity Under Construction," Lyle Ashton Harris with William Stern, Art Journal, guest eds. College Art Association Pubs, Summer, vol. 56, no. 2, p. 6 |
| 1996 |
• |
Maslin, Janet, "The Unnominated," The New York Times Magazine, March 17, p. 38-39 (photographed Jennifer Jason Leigh) |
|
• |
Maurice Berger, Simon Watson and Brian Wallis, eds., Constructing Masculinity, NY: Routledge, 1996 (photograph, "The Good Life," accompanies text) |
|
• |
Atlas, James, "True Confessions: The Age of the Literary Memoir,"The New York Times Magazine, May 12, p. 51 (photographed David Beers) |
|
• |
"ZYZZYVA, The Last Word," West coast writers and artists, vol.XII, no. 3/4, p.192 |
| 1995 |
• |
"Sisterhood," THRESHOLDS: viewing culture 9, (cover photograph and portfolio) |
|
• |
"Longing for Tribe," LA Weekly, April 21-27, p. 19 |
|
• |
"Lyle Ashton Harris," Brutus, 15 January, p. 58-65 (portfolio of eight photographs) |
|
• |
Enwezor, Okwui, "The Body in Question: Whose Body? ‘Balck Male: Representation of Masculinity in Contemporary Art’," Third Text, no. 31, Summer, p. 68, "Guide to Romance," Social Text 42, (back cover photograph) |
|
• |
Karcher, Eva, "Marziss and Fegefeuer," Art - das Kunstmagazin, June, p. 77 |
| 1994 |
• |
De Parle, Jason, "Mary Ann Moore’s Welfare," The New York Times Magazine, 8 December, p. 42-49 (cover story with accompanying editorial photographs) |
|
• |
Harris, Lyle Ashton, "Queen, Alias and Id," Atlantica 6, p. 70-77 (portfolio of 7 photographs) |
|
• |
Tierney, John, "What’s New York the Capital of Now?," The New York Times Magazine, 20 November, p. 50 |
| 1993 |
• |
Harris, Lyle Ashton, "Man and Woman #1," Transition, press no. 58, New York, Oxford University (cover photograph) |
|
• |
Hunter, B. Michael, ed. Sojourner, New York: Other Countries Press |
|
• |
Watson, Simon, "Seksuaalisuus ja vastarinta," Ahl Seksualistunden Vuosi, p. 46 |
| 1992 |
• |
Dent, Gina, ed. Black Popular Culture, Seattle: Bay Press (photo illustration) |
|
• |
Harris, Lyle Ashton, "In a land that loves its blond, blue-eyed children, who weeps for the dreams of a black girl?," Framework 4.3, p.40-41 |
| 1991 |
• |
Harris, Lyle Ashton, "Untitled #1," Outlook 13, p. 26-31 |
|
• |
Walker, Christian, "The Miscegenated Gaze," San Francisco Camerawork, Fall, p. 12-14 |
|
• |
"Reflections of a Past Life through Glass," TEN.8, cover and portfolio, Spring |
| 1990 |
• |
Hayes, William, "Out with the Boys," Mother Jones, July/August, p. 47-49 |
|
| Bibliography |
|
| 2008 |
• |
Cotter, Holland, A Multicultural Swirl of Africa, New York Times, Dec 3, 2008 |
|
• |
Yau, Lucy, Black & White, Art Voice, Oct 2, 2008 |
| 2007 |
• |
Ringle, Hayley, Photography students compare lives via pictures, East Valley Tribune, Dec 28, 2007 |
|
• |
Riley, Cheryl R., Ebony, July 2007 |
|
• |
Williams, Greg, L'UOMO Vogue, June 2007 |
|
• |
Glueck, Grace, PHOTOGRAPHY REVIEW; Self-Portraits That Obscure the Self, New York Times, January 5, 2007 |
| 2006 |
• |
Green, Roger, "Review: Artists photograph their interpretations of family values", mLive.com, March 10, 2006 |
|
• |
Mahon, Alyce, "Eroticism & Art", Oxford University Press, 2005 |
| 2005 |
• |
McDaniel, Craig and Jean Robertson, "Themes of Contemporary Art: Visual Art After 1980," Oxford University Press, p. 112-116, & p. 146 |
|
• |
Fyfe, Joe, "Lyle Ashton Harris," Art On Paper, Jan. - Feb. 2005. Vol. 9, No. 3, p.94 |
| 2004 |
• |
Northcross, Wayne, "Blood, Sweat and Tears," Genre, Sept. Issue, p. 93 |
|
• |
Fyfe, Joe, "Lyle Ashton Harris at Nathalie Obadia Gallery, Paris," Art On Paper, p. 53 July/August, Vol. 8, No. 6 |
|
• |
Rexer, Lyle, "Only Skin Deep," Art on Paper, March - April, p.60-63 |
|
• |
Jefferson, Margo "Photo Dynamics" The New York Times, Book Review, Feb.15, p. 31 |
|
• |
Liu, Timothy, "Memoirs of Hadrian," Artpapers, Jan. - Feb., p.48 |
|
• |
Perrëe, Rob, "Lyle Ashton Harris," Kunstbeeld, Dec. - Jan. 2003-2004, p.72-73 (illus.) |
| 2003 |
• |
Cotter, Holland, "Cameras as Accomplices, Helping Race Divide America Against Itself," The New York Times, Dec. 19, p. E37 |
|
• |
Genoccio, Benjamin, "Old Faces Inaugurate a Renovated Gallery for Wesleyan," The New York Times, Nov. 16 |
|
• |
Rickels, Laurence A., "Lyle Ashton Harris," Art US, p.32 Nov. - Dec Issue |
|
• |
Leffingwell, Edward, "Lyle Ashton Harris at CRG," Art in America, Nov., p.166-167 |
|
• |
Schwendener, Martha, Lyle Ashton Harris, CRG Gallery, Artforum, Nov., p.189-190 |
|
• |
Cotter, Holland, "When the I Is the Subject And It’s Always Changing," The New York Times, Sept. 12, p. e34 |
|
• |
Alletti, Vince, "Lyle Ashton Harris," The Village Voice, Oct. 8 |
| 2002 |
• |
Arambulo, Angela, "The Stylistics," Vibe Magazine, January, p. 108 |
| 2001 |
• |
Antonini, Maria Chiara, "Con Gli occhi dell’America," Architectual Digest, Edizione Italiana, Luglio, p. 48-49 |
|
• |
Shamray, Katherine, "Go-Go Photographer Slows down in Eternal City," Italy Daily/Herald Tribune, May 28, p. 2 |
| 2000 |
• |
Kusolwong, Surasi, "Kwangju Biennial," Flash Art, Summer 2000, p. 99 |
| 1999 |
• |
Harris, Lyle Ashton, "Chuck Close Master Portraitist: Lyle Ashton Harris at Chuck Close’s studio in Soho," aRude, Winter 1999, p. 74-76 |
|
• |
Harris, Lyle Ashton, "The Sublime, The Grotesque, The Epic: Lyle Ashton Harris inteviews Cindy Sherman," aRude, 1999, p. 50-54 |
|
• |
Harris, Lyle Ashton, "Paula Cooper: Looking at Pictures," aRude, Spring 1999, p. 73 |
| 1998 |
• |
Harris, Lyle Ashton & Thomas Allen Harris, "Black Widow," The Passionate Camera, ed. Deborah Bright, New York: Routledge. |
|
• |
"Body of Knowledge," Art News, no. 10, November, p. 54 |
|
• |
Salvioni, Daneila, "Lyle Ashton Harris, Thomas Allen Harris," Artforum, May |
|
• |
FitzSimons, Casey, "’Alchemy’ at New Langston Arts," Artweek, March, p. 27 |
|
• |
Helfand, Glen, "’Rhapsodies in Black’ and ‘Alchemy’ Look to the Sources of African American Art," The San Francisco Bay, February 11-17, vol. 32, no. 19 |
|
• |
Bonetti David, "Art," San Francisco Examiner, February 4 |
| 1997 |
• |
Blessing, Jennifer,"Rrose is a Rrose is a Rrose: Gender Performance in Photography," Guggenheim Museum, New York, 1997, p. 107-111 |
|
• |
Powell, Richard, "Black Art and Culture in the 20th Century," London: Thames & Hudson, Ltd., London, England, 1997 (book) |
|
• |
Smith, Roberta, "Decoding la Difference: Gender as Dress and Pose,"The New York Times, January 17, 1997, p. C29 |
|
• |
Turner, Grady T., "Lyle Ashton Harris at Jack Tilton," Art in America, March |
|
• |
Wilson, Sarah, "Femininities - Masquerades," Guggenheim Museum, New York, 1997, p. 147-149 |
|
• |
Woolery, Reggie, "The Watering Hole," Fuse Magazine, volume 20 no. 3, June, p. 37-39 |
|
• |
"Body of Knowledge," Artnews, no. 10, November, p. 54 |
| 1996 |
• |
Artner, Alan G., "Persona Non Grata," The Chicago Tribune, Sunday Mar. 17, Sect. 7, p. 3 |
|
• |
Aletti, Vince, "Lyle Ashton Harris," The Village Voice, September 24, 1996, p.10 |
|
• |
Anderson, Frances, "The Gallery Strikes Back: The Commercial Scene, Los Angeles," The Art Newspaper, July - August, p. 34 |
|
• |
Clothier, Peter, "Lyle Ashton Harris," Artnews, October 1996, p.138 |
|
• |
Cohen, Michael, "Lyle Ashton Harris," Flash Art, May/June, p. 107 |
|
• |
Cotter, Holland, "’Art/Language’ ‘Power and Display’," The New York Times, December 6 |
|
• |
Gaines, Charles, "Hotter than July," Art + Text, October, p. 84 |
|
• |
Harris, Thomas Allen, "False Assumptions Flaw Criticism," The Los Angeles Times, Monday, August 26, p. 3 |
|
• |
Kahn, Omar L., "Negro en Colores," El Universal (Venezuela), 22 May, p. 84 |
|
• |
"Caracas recibe la obra de Lyle Ashton Harris", El Nacional (Venezuela), May 19 |
|
• |
Myers, Bob E., "Fine Young Cannibals," OUT, September, p. 60 |
|
• |
Pagel, David, "Retelling Stories of Fame and Misfortune," Los Angeles Times, Aug. 8, F11 |
|
• |
Perree, Rob, "Lyle Ashton Harris: Het Imago van de Zwarte Man," Kunstbeeld, Mar., 38-41 |
|
• |
Schwendener, Martha, "Catch My Drift," Time Out, New York, Dec. 12-19, issue #64, p. 40 |
|
• |
Smith, Roberta, "Finding Art in the Artifact of the Masses," The New York Times, Dec.1, |
|
• |
Smith, Roberta, "Lyle Ashton Harris," The New York Times, September 27, 1996, p. C30 |
|
• |
Wiggins, Cynthia, "Liberty, Fraternity, Inequality: Race, Rage, Regret," LA Weekly, August 16-22, p. 43-44 |
| 1995 |
• |
Alston, Johnetta, Poz, December-January, p. 29 |
|
• |
Murphy, Anthony C., "Art Scene," American Vision, December-January, p. 10 |
|
• |
Brooks, Rosetta, "Narcissistic Disturbance at Otis Art Gallery, "Artforum, Summer, p.112 |
|
• |
Budney, Jen, "Spotlight: Black Male," Flash Art, February, p. 91 |
|
• |
Cork, Richard, "Mirage Show of Wit," The London Times, 27 June, pg. 10 |
|
• |
De Salvo, Donna. Face Value : American Portraits, New York: Flammarion, pg. 31-34 |
|
• |
Enwezor, Okwui, "The Body in Question: Whose Body? ‘Black Male: Representations |
|
• |
of Masculinity in Contemporary American Art’," Third Text, Summer, no. 31, p. 69 |
|
• |
Flett, Kathryn, "Arena Recommends," Arena, July/August, p. 26 |
|
• |
George, Lynell, "The ‘Black Male’ Debate," The Los Angeles Times, 22 February, p.F1 |
|
• |
Green, David, "Narcissistic Disturbance," Art Issues, March/April, p. 40 |
|
• |
Green, David A, "Black Male: Don’t Believe the Hype," Los Angeles Reader, June 9, p. 14 |
|
• |
Halard, Francois, "Portraits of the Artists as Young Men," GQ, February, p.164 |
|
• |
Harris, Lyle Ashton and Tommy Gear, "Coco Fusco: English is Broken Here," aRUDE, Fall, pg. 54-55 |
|
• |
Haye, Christian, "Myth and the Man," frieze, January-February, p.24 |
|
• |
Hooks, Bell, Art on My Mind: Visual Politics, New York: The New Press, pgs. 110, 136-37, 210-212 |
|
• |
Knight, Christopher, "LACMA’s ‘P.L.A.N.’ isn’t your Standard Photo Show," The Los Angeles Times, 8 July, p. F1 |
|
• |
Knight, Christopher, "Narcissistic Art for Artist’s Sake," The LA Times, 14 Feb. p.F1 |
|
• |
Mejias, Jordon, " Wer Hat Angst vor Schwarzen Man," Feuilleton, 24 January, p. 14 |
|
• |
Murphy, Anthony C., "Art Scene," American Vision, December to January, p.10 |
|
• |
Nochlin, Linda, "Learning from Black Male," Art in America, March, p.86 |
|
• |
Owen, David, "The Straddler," The New Yorker, 30 January, p.36 |
|
• |
Onedera, Shinichiro, "Art of the Absolute Nude," Brutus, Tokyo, January |
|
• |
Philips, Anthony, " Postmodern Vamp: Living the Good Life with Photographer Lyle Ashton Harris," aRUDE, Spring, pg. 20-21 |
|
• |
Perchuk, Helaine & Andrew, The Masculine Masquerade: Masculinity and |
|
• |
Representation, Cambridge, MA: MIT Press, pg. 20, 29, 108-109 |
|
• |
Rugoff, Ralph, "Vanity Fare: Artists and the N word," LA Weekly, 17 February, p. 33 |
|
• |
Sladen, Mark, "Black on Black," Art Monthly, July/August., p.13 |
|
• |
Temin, Christine, "Seeing The Man Behind the Mask," The Boston Globe, 24 Jan., p. 23 |
|
• |
Ude, Ike, "On Lyle’s Case: Mask and Embrace in the Work of Lyle Ashton Harris," pp.67- 72, THRESHHOLDS: Viewing Culture, Volume 9 |
|
• |
Zellen, Jody, "The Good Life," Artpress, January, p. 66 |
|
• |
Zook, Kristal Brent, "Longing for Tribe, the Storm over ‘Black Male’ and the Persistance of Nationalist Design," LA Weekly, April 12, p. 19 |
|
• |
Zook, Kristal Brent, "Guide to Romance," Social Text, Quarterly, Duke University Press, Spring, (back cover) |
| 1994 |
• |
Aletti, Vince, "Voice Choices," The Village Voice, 9 November, p.1 |
|
• |
Aletti, Vince, "It’s a Family Affair," The Village Voice, Sept. 27 |
|
• |
Atkins, Robert, "From Preppie to Orange Hair in an Amsterdam Minute," The New York Times, September 25, p. B1 |
|
• |
Avgikos, Jan, "Ciphers of Identity," Artforum, April, p. 91 Hovagimyan, G.H., "Black Male Show," Manhattan File, November, p. 104 |
|
• |
Canning, S.M., "The Good Life," New Art Examiner, December, p. 44 |
|
• |
Cronstrom, Kendell, "Black Male Show," Elle, November, p. 49 |
|
• |
Golden, Thelma, Black Male: Representations of Masculinity in Contemporary |
|
• |
American Art, New York: Abrams, p. 33, 83, 137-138, 140 |
|
• |
Cotter, Holland, "Art After Stonewall: 12 Artists Interviewed," (Interview with Holland Cotter), Art in America, June, p. 63 |
|
• |
Cotter, Holland, "Art in Review: Lyle Ashton Harris, ‘The Good Life’," The New York Times, Sept. 30 |
|
• |
Cotter, Holland, review of "Ciphers of Identity" and "Absence, Activism and the Body Politic," The New York Times, June 24 |
|
• |
Hapgood, Susan, "Lyle Ashton Harris," Art in America, November, p.106 Hefland, Glen,Vibe, October, p. 102 |
|
• |
Hovagimyan, G.H., "Black Male Show," Manhattan File, November, p. 104 |
|
• |
Kimmelman, Michael, "Constructing Images of the Black Male," The New York Times, November 11, p. C1 |
|
• |
Levin, Kim, "Voice Choices," The Village Voice, November 9-15, 1994 |
|
• |
Mercer, Kobena, "Fear Not a Black Penis," Artforum, April |
|
• |
Pedersen, Victoria, "Black Male," Paper, November, p. 110 |
|
• |
Seward, Keith, "Lyle Ashton Harris," Artforum, December, p.83 |
|
• |
Solomon, Deborah, "Whitney Solves U.S. Race Problem," Wall Street Journal, Nov. 11 |
|
• |
Stevens, Mark, "Black Like Them," New York Magazine, September, p.52 |
|
• |
Wilson, Judith, "Beauty Rites: Towards an anatomy of Culture in African American |
|
• |
Women’s Art,"The International Review of African American Art, Volume II, No. 3, p. 29 |
|
• |
Velasco, Irene Hidez, "Brutus, esclavos, delincuentes y, de vers en cuando heroes." El Mundo, Sunday 13 |
| 1993 |
• |
Sirmans, Franklin, "Best to Protect your Neck: Love One Another," Ace Magazine, 23 July, p. 14 |
|
• |
Spindler, Amy, "As Street Goes, So Goes Style, " The New York Times, Sunday, 19 September, p. 11 |
|
• |
White, Bethany, "About Face," Tribes, Fall/Winter 93, Editor’s page and p. 55-59 |
| 1992 |
• |
Bleckner, Ross, "Emerging Artists," Out, Fall, p. 47 |
|
• |
Bonami, Francesco, "Schwarze Art Trouble," Flash Art, vol. 25, no. 163, May/June, p. 132 |
|
• |
"Body Politic," Los Angeles Times, Friday, December 11 |
|
• |
"Disputed Identities US/UK," Parachute, no. 65, January/February/March, p. 59-60 |
|
• |
Conwill, Kinshasha Helman and Lorna Simpson, "Valuing Difference in a Multicultural/Multiracial Society," Art Papers, March/April, p. 27 |
|
• |
Hess, Elizabeth, "Give Me Fever," The Village Voice, December 29, p. 53 |
|
• |
Harris, Lyle Ashton, "Art and Politics: A Pre-Election Symposium," Art in America, Oct., p. 43 |
|
• |
Harris, Lyle Ashton, "Revolutionary Acts- Interview with Marlon Riggs," Afterimage, March, p. 8-11 |
|
• |
Harris, Lyle Ashton, "Revenge of the Snow Queen," Outlook, p. 26-31 |
|
• |
Kotz, Liz, "The Body you Want," Art Forum, November, Editor’s page and p. 82 |
|
• |
"Miss America," Black Popular Culture, A project by Michele Wallace. Seattle, Bay Press, 1992, p. 326 |
|
• |
"Maine #1 and Constructs #11," Sojourner: Other Countries Volume Two, Other Countries Press, New York, pg. 16, 220 |
|
• |
Rosenberg, Ann, "Sexual Images," Vancouver Sun, Saturday Review, May 2, p. 11 |
|
• |
Temin, Christine, "ICA’s provocative ‘Dress Codes’," The Boston Globe, 10 March, p. 13 |
|
• |
Vogel, Sabine, "Jeder ist eine Minderheit," Der Tagesspiegel, January 8, pg. 14 |
| 1991 |
• |
George, Eddie, "Black Body and Public Enemy," TEN.8, vol.2, no. 1, Spring, pg. 68-71 |
|
• |
Harris, Lyle Ashton, "Revenge of a Snow Queen," OutLook, cover and portfolio, Summer |
|
• |
Harris, Lyle Ashton, "Revolutionary Acts," Afterimage, interview with Marlon Riggs, (Rochester, NY) March 1991, pp. 8-11 |
|
• |
Mercer, Kobena, "Dark and Lovely: Notes on Black Gay Image-Making," TEN.8, vol. 2, no. 1, Spring, pg. 78-85 |
|
• |
Rosenberg, Ann, "Icons of Identity," The Vancouver Sun Saturday Return, 25 May, p. D 6-7 |
|
• |
Snow, Shauna, "L.A. Area Artists Win Four Arts Federation Fellowships," Los Angeles Times, July 14, p. C9 |
|
• |
Walker, Christian, "The Miscegenated Gaze," San Francisco Camerawork, Fall, pg. 12-14 |
| 1990 |
• |
Sebestyen, Amanda, "Black Narcissus," Newstatesman Society, April 6, pg. 44-45 |
|
• |
Hayes, William, "Out with the Boys," Mother Jones, July/August, pg. 47-49 |
|
| Teaching |
|
| 2000 |
• |
University of California, Los Angeles, CA |
|
• |
Adjunct Visiting Assistant Professor, School of Art and Architecture, Department of Art, Course taught: Graduate Tutorial, |
|
• |
California Institute of the Arts, Valencia, CA, Visiting Artist, School of Art, Course taught: Special Projects and Independent Studies |
|
• |
Cooper Union, New York, NY, Guest Artist, School of Art, Course taught: Advanced Photography |
|
• |
New York University, New York, NY, Adjunct Professor, School of Education, Department |
|
• |
of Art and Art Professions, Courses taught: Fundamentals of Photography, Graduate |
|
• |
Projects: Advance Color & Undergraduate Projects: Autobiography & Representation |
| 1997 |
• |
Art Center College of Design, Pasadena, CA, Adjunct Professor, Fine Arts Department, Course taught: Undergraduate Seminar |
|
• |
University of California, San Diego, San Diego, CA, Adjunct Professor, School of Art, Courses taught: Photo Two and Graduate Seminar |
|
• |
Otis College of Art and Design, Los Angeles, CA, Adjunct Professor, Fine Arts Dept., |
|
• |
Courses taught Photo One, Photo Two, Sophmore Praxis class and Junior Seminar |
|
• |
Committees: Chair Search Committee, Fine Arts Curriculum Committee and Academic Assembly |
|
| Grants/Fellowships/Residencies |
|
| 2000 |
• |
Rome Prize Fellowship: Harold M. English/Metropolitian Museum of Art -Jacob H. Lazarus Rome Prize Fellowship in Visual Arts |
|
• |
American Photography Award (Vol. 16) for portrait that illustrated "The Gospel According to Conrad Muhammad," Vibe magazine |
|
• |
Society of Publication Designers Merit Award for photograph that illustrated "The Next Cardinal," The York Times Magazine |
| 1996 |
• |
Banff Art Center Residency Fellowship, Alberta, Canada |
| 1995 |
• |
Art Matters Grant |
|
• |
Ernst Haas, "Top 100 Photographers" Award |
| 1993 |
• |
Helena Rubinstein Whitney Museum Independent Study Program Fellowship Art Matters Grant |
| 1992 |
• |
Brody Arts Fund Fellowship |
| 1991 |
• |
WESTAF/NEA Regional Fellowship for the Visual Arts |
|
• |
Art Matters Grant |
|
• |
|
|
