 |
 |
|
|
| Education |
|
| 1993 |
• |
MFA, Art Center College of Design, Pasadena, CA |
| 1991 |
• |
BA Humanities, San Francisco State University, San Francisco, CA |
|
| Solo Exhibitions |
|
| 2008 |
• |
Portikus, Frankfurt |
|
• |
A Torment of Follies, Secession, Vienna (catalogue) |
|
• |
A Torment of Follies, greengrassi, London |
|
• |
The Fall of Frances Stark, Culturgest, Lisbon |
| 2007 |
• |
The Fall of Frances Stark, van Abbe Museum, Eindhoven, The Netherlands & FRAC Bourgone, Dijon, France |
| 2006 |
• |
Structures That Fit My Opening and Other Parts Considered in Relation To Their Whole. Glassel School of Art, Museum of Fine Arts, Houston, TX |
|
• |
Frances Stark, "Structures that Fit My Opening" and Other Parts Considered in Relation to their Whole, Museum of Fine Arts Houston, Houston, TX |
|
• |
Structures That Fit My Opening, Marc Foxx, Los Angeles, CA |
|
• |
ArtPace, San Antonio, TX |
| 2005 |
• |
In and on an Unergonommic Mind, CRG Gallery, New York, NY |
| 2004 |
• |
Bless this Mess, greengrassi, London |
|
• |
Destroy Date, Galerie Daniel Buchholz, Cologne, Germany |
| 2003 |
• |
And Another One at the Same Time, Gallery Paule Anglim, San Francisco, CA |
| 2002 |
• |
A Bomb Upon the Ceiling, Marc Foxx Gallery, Los Angeles |
|
• |
The Unspeakable Compromise of the Portable Work of Art, UCLA Hammer Museum, Los Angeles, CA |
|
• |
Stark: Self-Portraiture, greengrassi, London, England |
| 2001 |
• |
CRG Gallery, New York, NY |
| 2000 |
• |
Ich Suche Nach Meine Frances Starke Seite, Kunstverein, Munich, Germany |
|
• |
Daniel Buchholz, Cologne, Germany |
| 1999 |
• |
No, No, No, No, Now, Marc Foxx, Los Angeles, CA |
|
• |
What Part of Now Don’t You Understand?, China Art Objects Galleries, L.A., CA |
|
• |
Like a Rainbow and so Unlike a Rainbow, CRG Gallery, New York, NY |
| 1998 |
• |
Impossible the grassy maxim’s dream…., greengrassi, London, UK |
|
• |
In other places Light’s pitched happy tents, Marc Foxx, Los Angeles, CA |
| 1997 |
• |
Music is Different, Gallery Paule Anglim, San Francisco, CA |
| 1996 |
• |
Plain Sheets No Pillow, CRG Gallery, New York, NY |
|
• |
W is for Werther, Studio 246, Kuenstlerhaus Bethanien, Berlin, Germany |
| 1995 |
• |
Last Year b/w I hate language, ACME, Santa Monica, CA |
| 1994 |
• |
Spring for Fall, LEAK, Los Angeles, CA |
| 1993 |
• |
Slough (it off) b/w Purple Prose, MFA Gallery, ACCD, Pasadena, CA |
| 1991 |
• |
Total Babe, The Guest Room, Los Angeles, CA (catalogue) |
|
| Group Exhibitions |
|
| 2008 |
• |
Convocation, Aspen Art Museum, Aspen, CO |
|
• |
Whitney Biennial, Whitney Museum of American Art, New York |
|
• |
Yes No Other Options Art Sheffield 08, UK curated by Jan Verwoert |
|
• |
Cohabitation: 13 artists and Collage, Francesca Kaufman Gallery, Milan |
|
• |
Grabbing at Straws, Studio Guenzani, Milan |
| 2007 |
• |
Learn to Read, Tate Modern, London |
|
• |
For Ree, Marc Foxx, Los Angeles |
|
• |
Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, NY |
|
• |
Romantic Conceptualism, Nuernberg Kunstverein & BAWAG Foundation, Vienna |
|
• |
If I can't Dance I Don't Want To Be Part Of Your Revolution, Edition II MuHKA, Antwerp |
| 2006 |
• |
If I can't Dance... "Feminist Legacies and Potentials in Contemporary Art Practice", De Appel, Amsterdam |
|
• |
The Studio, The Hugh Lane Museum, Dublin, Ireland. Curated by Jens Hoffman and Christina Kennedy |
|
• |
Esquiador en el fondo de un pozo, The Jumex collection, Mexico, curated by Michel Blancsube |
|
• |
Galerie Daniel Buchholz, Koln at Metro Pictures, Metro Pictures, New York, NY |
|
• |
Ovrcast Music + Art festival, Los Angeles, CA |
|
• |
Textual Works, Bethan Huws - Frances Stark, New Langton Arts, San Francisco, CA |
| 2005 |
• |
Looking at words: the Formal Presence of Text in Modern and Contemporary works on Paper. Andrea Rosen Gallery, New York, NY |
|
• |
Monuments for the USA, White Columns, New York, NY |
|
• |
Gallery Artists, Marc Foxx, Los Angeles, CA |
|
• |
Faculty Exhibiton, USC School of Fine Arts, Los Angeles |
|
• |
Post No Bills, White Columns, New Yorrk |
|
• |
"AND TO STOP YOU INTERFERING, I SHALL HAVE TO DEMATERIALIZE YOU AGAIN", Catriona Jeffries Gallery, Vancouver |
| 2004 |
• |
Works on Paper, Philomene Magers, Munich, Germany |
|
• |
Martin Klosterfelde, Berlin, Germany |
|
• |
The World Becomes a Private World: Selections from the collection of Penny Cooper and Rena Rosenwasser, Mills College Art Museum, Oakland, CA |
| 2003 |
• |
The Space of Writing, MKG Art Management, Houston, TX |
|
• |
Filmscreening by Florian Pumosl, Galerie Daniel Buchholz, Cologne, Germany |
|
• |
for nobody knows himself if he is only himself and not another at the same time, Marc Foxx, Los Angeles, CA |
|
• |
Korrekturen, Galerie Kamm, Berlin, Germany |
|
• |
The Great Drawing Show: 1550-2003 A.D., Michael Kohn Gallery, Los Angeles, CA |
|
• |
Drop Out! China Art Objects Galleries, Los Angeles, CA |
|
• |
Creeping Revolution 2, Rooseum, Malmo, Sweden |
| 2002 |
• |
Jim, Jonathan, Kenny, Frances and Sol, Stedelijk Museum @ Bureau Amsterdam |
|
• |
Rock My World, California COllege of Arts & Crafts, San Francisco, CA |
|
• |
Personal Plans, Kunsthalle Basel, Switzerland |
|
• |
Zasammenhaenge herstellen/ Contextualize, Kunstverein Hamburg |
| 2001 |
• |
The Slide Area, James Van Damme Gallery, Brussels, Belgium |
|
• |
Drawings, Greene Naftali, New York, NY |
|
• |
Frances Stark meets Morgan Fisher, Martin Klosterfelde, Berlin |
|
• |
Patterns: Between Object & Arabesque, Kunsthallen Brandts Klaedefabrik, Odense, DK |
|
• |
Ileana Tounta, Athens, Greece |
|
• |
Locating Drawing, Lawing Gallery, Houston, TX |
|
• |
The White Album, curated by Jan Tumlir, Shoshana Wayne Gallery, Santa Monica, CA |
| 2000 |
• |
Circles: SIlverlake Crossings, ZKM, Karlsruhe, Germany |
|
• |
OO, Barbara Gladstone Gallery, New York, NY |
|
• |
made in california: art, image and identity, 1900-2000, LACMA, Los Angeles, CA |
|
• |
Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, CA |
|
• |
Cleaning Up, Helen Lindhurst Fine Arts Gallery, USC, Los Angeles |
|
• |
Jurgen Becker, Hamburg, Germany |
|
• |
Opere Su Carta, Studio Guenzani, Milan Italy |
|
• |
L.A. , Monika Sprueth & Philomene Magers, Cologne, Germany |
| 1999 |
• |
Philomene Magers Projekte, Munich, Germany |
|
• |
Hot Spots, Weatherspoon Art Gallery, University of North Carolina at Greensboro & Pittsburgh Center for the Arts, Pennsylvania |
| 1998 |
• |
In the Beginning, Murray Guy, New York, NY |
|
• |
Word Perfect, Gallery 400, University of Illinois at Chicago, Chicago, IL |
|
• |
Obscure Camera, 2nd Space Gallery, curated by Mary Ceruti, San Francisco, CA |
|
• |
Paper Thin, Stephen Wirtz Gallery, San Francisco, CA |
|
• |
L.A. on Paper, Three Day Weekend @ Gallerie Krizinger, Vienna, Austria |
| 1997 |
• |
Der Arbeit des Zeichnens, Gesellschaft Fur Aktuelle Kunst, Bremen, Germany |
|
• |
New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, CA |
|
• |
Tracing Marks, Los Angeles Museum of Contemporary Art, Los Angeles, CA |
|
• |
Sharon Lockhart, Laura Owens and Frances Stark, Blum & Poe, Santa Monica, CA |
| 1996 |
• |
The Power of Suggestion: Narrative and Notation in Contemporary Drawing, Museum of Contemporary Art, Los Angeles, CA |
|
• |
Just Past: The Contemporary and Permanent Collection 1975-1996, Museum of Contemporary Art at The Geffen Contemporary, Los Angeles, CA |
|
• |
Stream of Consciousness 8 Los Angeles Artists, UCSB, Santa Barbara, CA |
|
• |
Affairs, Institute for Contemporary Art, Vienna, Austria |
|
• |
Controfiguro, Studio Guenzani, Milano, Italy |
|
• |
Krisanamis/Stark, Marc Foxx, Santa Monica, CA |
|
• |
First Person, Marc Foxx, Santa Monica, CA |
| 1995 |
• |
Dark Memories, Marc Foxx, Santa Monica, CA |
|
• |
Filmcuts, neugerriermschneider, Berlin, Germany |
|
• |
Gavin Brown’s Enterprise, New York, NY |
| 1994 |
• |
Inaugural Exhibition, ACME, Santa Monica, CA |
|
• |
The Freed Weed, Richard Telles Fine Art, Los Angeles, CA |
| 1993 |
• |
Invitational ‘93, Regen Projects, Los Angeles, CA |
|
• |
Zuzuglich, Merz Akademie und Room Tomoyo Kawai, Stuttgart, Germany |
|
| Publications |
|
| 2008 |
• |
O ARQUITECTO & A DONA DE CASA, Portuguese translation (culturgest Lisbon/Dexter Sinister)(forthcoming) |
|
• |
A TORMENT OF FOLLIES, Frances Stark Vienna Secession text by Martin Prinzhorn |
| 2007 |
• |
FRANCES STARK: COLLECTED WORKS van Abbe Museum, Eindoven and Verlag der Buchhandlung, Walter Koenig |
|
• |
"Recently I helped repair the broken horn of pan" in THE ARTIST'S JOKE, White Chapel and MIT press ed. Jennifer Higgie |
|
• |
PRIMER (ON THE FUTURE OF ART SCHOOL) Roski School of Fine Arts, with Dexter/Sinister |
| 2006 |
• |
"Dear Maxine" in JUST IN TIME, Stedelijk Museum, Kopsa, Maxine ed. |
|
• |
"Not School, not Church, not Home" in Sharon Lockhart's PINE FLAT, K. Halbreich, L. Norden, F. Stark et al., Charta, Milan |
|
• |
"At the Rim of The F*#@ing Paradigm" in UNCERTAIN STATES OF AMERICA, Astrup Fearnley Museum of Modern Art, Oslo |
|
• |
"A Little Untoward History: On Chinatown's Recent Influx of Art..." in RECENT PASTS..., J. Welchman, ed., Jrp/Ringier |
| 2005 |
• |
Stark, Frances, Ivory, Cabinet, issue 18. p.12-14. |
|
• |
Stark, Frances, Always the Same, Always Different, Ed Ruscha: Course of Empire, United States Pavillion, 51st Venice Biennale (ISBN: 3-7757-1654) (with Donna DeSalvo, Linda Norden, Joan Didion) |
| 2003 |
• |
Stark, Frances, Collected Writing: 1993 – 2003. Opus 3/Book Works, London |
| 2002 |
• |
Afterall, Issue 6, Allan Ruppersberg, p.64-69 |
|
• |
Stark, Frances. “A beholder of fragments and ruiner of plans” in PersonlichePlane, Kunsthalle Basel, CH |
| 2001 |
• |
Afterall, "For Nobody Knows Himself...(On Allen Ruppersberg)", Issue 6, p. 102-120 |
|
• |
Afterall, "All things to all People," Interview with Fisher, Hawkins, Kandel, Owens, Mitchell, Snauwaert, Stark and WyEvans, Issue 04, p. 112-120 |
|
• |
Painting at the Edge of the World, "Scared to Death," ed. Douglas Fogle, Walker Art Center, Minneapolis, MN, p. 206-210 |
|
• |
Painting at the Edge of the World, Scared to Death, ed. Douglas Fogle, Walker Art Center, Minneapolis, MN, p.206-210 |
|
• |
Artext No. 75, 10SNE1 |
|
• |
Artext No. 74, TYPE: Pull-Quoteable |
|
• |
Artext No. 73, Type: Hard to Be at Home, p.33-4 |
|
• |
Artext No. 72, Type: Greek Revival, p.34-5 |
|
• |
Artext No. 71, Type: No Values, p.20-21 |
| 2000 |
• |
Bookforum, Volume 7, issue 4, “on In His Own Write, by John Lennon and Grapefruit, by Yoko Ono”, p. 37 |
|
• |
X-Tra, Volume 3, Number 4, the Importance of Planning, p.28-30 |
|
• |
Implosion: Bas Jan Ader, A Craft Too Small, ed. Christopher Mueller, Verlag der Buchhandlung Walther Koenig, Cologne |
|
• |
Texte Zur Kunst, Bildstrecke, June 2000 #38 |
|
• |
Jorge Pardo, The Architect and the Housewife, ed. Barbara Steiner & Joern Schafaff, Hatje Cantz Verlag, Ostfilder- Ruit |
|
• |
Mall Punk Magazine, Issue 1, Fall 2000, Dear Reader, Damien Echols, p.22-4 |
|
• |
Artext No. 70, Type: The Secret Life, p.22-3 |
|
• |
Artext No. 69, Type: Into the Millenium (The Criminals), p.42-3 |
|
• |
Artext No.68, Type: Knowledge Evanescent, p.42-3 |
| 1999 |
• |
Artext No. 67, Type: Professional Me, p.42-3 |
|
• |
The Architect & The Housewife, Open House/Book Works Projects, London |
|
• |
Nach Bild, Kunstahalle Basel, 25/1999, Schwabe & Co. AG, Verlag Basel |
|
• |
Artforum, Top Ten, November 1999, p.60 |
|
• |
X-Tra, Vol. 3, Issue 1, Excerpts from the Architect and the Housewife, p.5-6 |
| 1998 |
• |
Michael Lin, “Complementary”, Dimension Endowment of Art, Taiwan |
|
• |
Michael Craig-Martin und Raymond Pettibon, Wanzeichnungen, |
|
• |
Raymond Pettibon & Frances Stark- A Conversation, Kunstverein, Dusseldorf |
|
• |
Users: Olafur Eliasson, Pennetralia, Sao Paolo Biennial / DCA Foundation, Copenhagen |
|
• |
Great God Pan, No. 11, cover art, p.51-2 |
| 1997 |
• |
Fama & Fortune Bulletin, Verlag Pakesch & Schlebrugge, Vienna |
|
• |
Sentiment & Vagrancy: Kevin Hanley, I-20, New York |
|
• |
More and Less, Bliss, Editor, Sylvere Lotringer |
|
• |
Asteroid Impaired: Righteous American Fiction, Upon My Arrival, ed. Benjamin Weissman |
| 1994 |
• |
Framework, Spring ‘94, Untitled Short |
|
• |
More and Less, Premiere Issue, “Your Highness (and mine)” |
|
• |
The Grammarians, Chapman College, Orange, CA |
| 1993 |
• |
Now Time No.3: “The Kid” |
|
• |
“Untitled”, LACE in conjunction w/ Jean Lowe exhibition “Real Nature”, Editor/Curator, Richard Hawkins |
|
• |
Felix, Volume 1, Number 3: “Nymph Text” (with Patti Podesta) |
| 1992 |
• |
The Underthings, catalogue text, Bliss, Pasadena, CA |
|
| Readings and Selected Lectures |
|
| 2007 |
• |
On the Future of Art Schools (Symposium) Roski School of Fine Arts, University of Southern California, Los Angeles. |
| 2005 |
• |
Art Center, Pasadena, CA |
|
• |
Claremont College |
|
• |
OXBOW High School of the Arts, Napa |
| 2004 |
• |
Art in Southern California: From the 90s to Now, Southern California Consortium of Art |
|
• |
Schools, Moca Pacific Design Center, West Hollywood |
|
• |
San Francisco Art Institute, CA |
| 2003 |
• |
University of Southern California, Los Angeles, CA |
|
• |
Gallery Paule Anglim, San Francisco, CA |
|
• |
University of California, San Diego, CA |
| 2002 |
• |
Royal College of Art, London, England |
| 2001 |
• |
Yale, New Haven, CT |
|
• |
Readings from Scripts by Raymond Pettibon, Museum of Contemporary Art, |
|
• |
Los Angeles, CA |
|
• |
In Honor Of Raymond Pettibon , Museum of Contemporary Art, Los Angles, CA |
|
• |
Jurgen Becker Gallery, Hamburg, Germany |
| 1999 |
• |
Museum Of Contemporary Art, Los Angeles, CA |
|
• |
Beyond Baroque Literary Arts Center, Venice, CA |
|
• |
The Hanbury Community Project, Hanbury Hall, London, UK |
|
• |
Chelsea School of Art, London |
|
• |
University of Southern California, Los Angeles, CA |
| 1998 |
• |
University of Illinois Chicago, Gallery 400, Chicago, IL |
|
• |
Art Center College of Design, Pasadena, CA |
|
• |
University of California Los Angeles, Los Angeles, CA |
|
• |
School of the Art Institute of Chicago, Chicago, IL |
|
• |
SFMOMA, New Collector’s Forum, San Francisco, CA |
|
• |
"One Half Hour of Air", KXLU, Los Angeles, CA |
| 1997 |
• |
CRG Gallery, New York, NY |
|
• |
Eagle Rock Cultural Center, Los Angeles, CA |
|
• |
Seca, Gallery Paule Anglim, San Francisco, CA |
|
• |
University of California Santa Barbara, Santa Barbara, CA |
|
• |
Art Institute of Chicago, Chicago, IL |
|
• |
Cal State LA, Women History Month Guest, Los Angeles, CA |
|
• |
Beyond Baroque Literary Arts Center, Venice, CA |
| 1996 |
• |
University of California Los Angeles, Los Angeles, CA |
|
• |
Studio Guenzani, Milan, Italy |
|
• |
Künstlerhaus Bethanian, Berlin, Germany |
|
• |
Kunstverein in Hamburg, Hamburg, Germany |
|
• |
Merz Akademie, Two week workshop, Stuttgart, Germany |
|
• |
Visiting Artist, School for Applied Arts, Vienna, Austria |
|
• |
Visiting Artist, Academy of Art, Vienna, Austria |
| 1995 |
• |
Mellon Foundation Guest, CAL ARTS, Valencia, CA |
|
• |
Beyond Baroque Literary Arts Center, Venice, CA |
| 1994 |
• |
Beyond Baroque Literary Arts Center, Venice, CA |
| 1993 |
• |
"Twenty Fall Into Three," Museum of Contemporary Art, Los Angeles, CA |
|
• |
Regen Projects, Los Angeles, CA |
|
• |
Los Angeles Poetry Festival, Barnsdall Art Park, Los Angeles, CA |
|
| Selected Bibliography |
|
| 2008 |
• |
Kilston, Lyra, Frances Stark on why Dorothy Parker is the "perfect metaphor" for her work, Modern Painters, November 2008 |
|
• |
Cohen, David, Whitney Biennial Has Adopted A Boho Vibe, New York Sun, March 5, 2008 |
|
• |
Hans-Jürgen Hafner, Double Residence. "Collected Writings" and "Collected Works" , SPIKE, No. 15, April, p. 55-63 |
|
• |
Brigitte Borchhardt-Birbaumer, WIENER ZEITUNG, Und ewig lockt die Spottdrossel, April 29 |
|
• |
Ann Kathrin Fessler, DER STANDARD, Teile von Teilen und kein Ganzes, May 2 |
|
• |
Verwoert, Jan EXHAUSTION & EXHUBERANCE Art Sheffield 08 with dexter/sinister |
|
• |
O'Niel, Paul. ART MONTHLY, If I can't dance... Feb #313 p. 31-32 |
|
• |
Milliard, Coline. Frances Stark: A Torment of Follies, ART REVIEW, April 2008, p.129 |
|
• |
Rees, Simon ART US Frances Stark (FRAC Bourgogne, Dijon France September 22 issue 21 |
|
• |
Cotter, Holland, NEW YORK TIMES Whitney Biennial 2008: Art's Economic Indicator, March 7 |
| 2007 |
• |
Champion, Miles. Book Review/Collected Works, ART MONTHLY |
|
• |
Leclere, Mary. FOR SOME PERVERTS THE SENTENCE IS A BODY: ON THE WORK OF FRANCES STARK, Museum of Fine Arts, Houston |
|
• |
Bell, Kirsty, Frances Stark at van Abbemuseum, September #109, FRIEZE p. 177-178 |
|
• |
Kopsa, Maxine, "Doubting Frances" ART ON PAPER, September |
|
• |
Verwoert, Jan. "Use Me Up", METROPOLIS M, February 2007 |
|
• |
Hoffman, Jens and Kennedy, Christina. THE STUDIO, Hugh Lane Museum, Dublin |
|
• |
Heiser, Joerg. ROMANTIC CONCEPTUALISM, Kunsthalle Nurenburg, Kerber Verlag |
|
• |
Dominich Eichler, "If I Can't Dance...", FRIEZE |
|
• |
Wood, Catherine. Best of 2007, Best Retrospective Exhibitions , FRIEZE, December |
|
• |
White, Michelle, Frances Stark, ART LIES, Issue 53, Spring |
|
• |
North Drive Press: NDP NO. 4, Interview Frances Stark and Amy Yao |
|
• |
Albrecht Fuchs, PORTRAITS, Köln: Snoeck, 2007 |
|
• |
THERE'S GONNA BE SOME TROUBLE> THE FIVE YEAR ROOSEUM BOOK 2001-2006, Rooseum, Malmo, 2007 |
| 2006 |
• |
Hainley, Bruce “Artquake”, New York Times Magazine, October 2, 2006 |
|
• |
Miles, Christopher, “Saying it in words and in pictures” Los Angeles Times, June 16 Gray. Emma, L.A. Confidential, Artnet.com, June 23, 2006 |
| 2005 |
• |
“School of Fine Arts welcomes Distinguished New Faculty,” |
|
• |
Artfacts: USC School of Fine Arts. Vol IX, No. I. |
|
• |
Weissman, Benjamin, “Frances Stark: As Eloquence Appears”, Frieze, June-August, P.140-145 + covered. Chris Krauss, Jan Tumlir, Jane McFadden. LA Artland, Blackdog: London. |
|
• |
Charlesworth, JJ, “Frances Stark CRG Gallery New York”, Tema Celeste, July/August 2005, issue 110. p.72. |
|
• |
Weissman, Benjamin, “Frances Stark: As Eloquence Appears”, Frieze, June/July/August, p.140-145 + cover |
|
• |
Short List, New Yorker, May 16, 2005, p. 24 |
| 2004 |
• |
Burnett, Craig. "Preview Frances Stark, London," Guardian Unlimited, November 13 |
|
• |
Abs, Peter. "Mut zur Schaeche: Frances Stark in der Galerie Daniel Buchholz," Text Zur Kunst, Heft Nr. 54, June |
|
• |
Bell, Kirsty. "Frances Stark: Collected Writing: 1993-2003," Camera Austria International, 86/2004 |
| 2003 |
• |
Meltzer, Eve. "Frances Stark," Frieze, Jan/Feb Issue 72, p94 |
|
• |
Hoffburg, Judith. Artist Books Reviews, Umbrella, Vol. 26, nos. 3/4, Dec., p. 119-120 |
|
• |
Diedrichson, Diedrich. "A Fan’s Notes: On Mike Kelley’s Writings," Artforum, January |
|
• |
Tumlir, Jan. "Spinning One’s Wheels In Los Angeles," Flash Art, December/January |
| 2002 |
• |
Wood, Eve. "Frances Stark at the UCLA Hammer Museum," Artweek, Vol. 33, Issue 8, p.21 |
|
• |
Newhouse, Kristina. "Frances Stark at UCLA Hammer Museum, Los Angeles," Artext, Fall Issue, No. 78, p. 91 |
|
• |
tema celeste, July – August, Issue 92, p. 117 |
|
• |
Arnatt, Matthew, "Frances Stark," Zusammenhaenge herstellen/Contextualize, ed. Yilmaz |
|
• |
Dziewior, Kunstverein in Hamburg, p. 71-75 |
|
• |
Wilshir, Mark, "Frances Stark: Self-Portraiture/greengrassi," What’s On, London, April 3-10, p. 25 |
|
• |
Laird, Tessa, Art on Paper, "The Unspeakable Compromise of the Portable Work of Art at the UCLA, Hammer Museum" |
|
• |
Comer, Stuart, "Air Guitar: Art Reconsidering Rock Music," CCAC Wattis Institute for Contemporary Arts |
|
• |
Ise, Claudine, Hammer Project Booklet, "Frances Stark: Unspeakable Series," |
|
• |
Ebner, Joern. "Laecheln fur den Affen menschen - Nigel Cooke bei Modern Art und Frances Stark bei greengrass in London", Frankfurter Allgemeine Zeitung, #75, Mar. 30, p.56 |
|
• |
Rugoff, Ralph. "Untimely Meditations," Rock My World: Recent Art and the Memory of Rock & Roll, CCAC Wattis Institute for Contemporary Art. |
|
• |
Amaretti, Dominick. Review, Modern Painters, Spring Issue, pp. 114-115 |
| 2001 |
• |
Cameron, Dan. "Recurring Patterns," Patterns: Between Object and Arabesque, Kunsthallen Brandts Klaedefabrik, Odense, DK |
|
• |
Richard, Frances, "Frances Stark, CRG Gallery," Artforum, November, p.144-145 |
|
• |
Smith, Roberta. The New York Times, "Art in Review," Oct. 12, p. E37 |
|
• |
Tumlir, Jan. "Baldessari’s Urn: 90s Art in Los Angeles," Artext, No. 71, Nov. 2000-2001, p.42-51 |
|
• |
Relyea, Lane. Public Offerings, "L.A. - Based and Superstructure", p.261, MOCA |
|
• |
Prinzhorn, Martin. "The Housewife in Public", Afterall, p.104-111 |
|
• |
Fisher, Hawkins, Kandel, Owens, Mitchell, Snauwaert, Stark and Wyn Evans. "All things to all people", p.112-120, Issue 04 |
| 2000 |
• |
Hess, Barbara. "Frances Stark at Daniel Buchholz," Flash Art, Vol. XXXIII, no. 215, Nov.-Dec., p.111 |
|
• |
Cruz, Amanda. Fresh Cream - Contemporary Art in Culture, Phaidon Press Ltd., p. 574-579 |
|
• |
Holert, Tom. "Frances Stark - Daniel Buchholz Gallery, Cologne," Frieze, Issue 54, Sept./Oct., p. 119 |
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• |
Unruh, Rainer, "Junge Kunst aus Kalifornien," Kunstforum International, Bd. 154, April/May p. 384-5 |
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Cutter, Kimberly, "Eastside Story," W, September Issue |
| 1999 |
• |
The New Yorker, Feb. 1 |
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Erikson, Karl. "Frances Stark: The Architect & The Housewife," Cakewalk, Fall, No. 3, p.64 |
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Courtney, Cathy, "Why Oh Why?," Art Monthly, No. 230, October, p. 47 |
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Brown, Elizabeth, "LA: Crank up the Heat," in Hot Spots, Weatherspoon Art Gallery & Pittsburg Center for the Arts |
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D’Souza, Aruna. "Frances Stark at CRG," Art in America, May, p. 152-53 |
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Levin, Kim, Village Voice, "Voice Choices", February 2, p. 80 |
| 1998 |
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Intra, Giovanni. "Frances Stark at Marc Foxx Gallery," Art/Text, No. 61, May-June, p. 82-83 |
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Meyers, Terry R. "Frances Stark: In other places light’s pitched happy tents," On Paper, Vol. 2 No. 5 May-June, p. 49 |
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Owens, Laura. Cake Walk, Spring/ Summer, pp. 13-14 |
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Harvey, Doug. "Frances Stark at Marc Foxx Gallery," Art Issues, Summer, No. 53, p. 42 |
| 1997 |
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Rickels, Lawrence. Paralax 5, "Already Given at the Office: On Techno Feminism", p. 73 |
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Intra, Giovanni. Flash Art, "Sharon Lockhart, Laura Owens & Frances Stark", Nov-Dec. p. 76 |
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Hainley, Bruce. Artforum, "Sharon Lockhart, Laura Owens & Frances Stark," Nov. p.119-120 |
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Young, Paul. Los Angeles Magazine, "On the Edge", p.92, November |
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Jana, Reena. Flash Art, "New Work: Drawings Today SFMOMA", p.75, October |
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Kandel, Susan. L.A. Times, "Exploring Power of Three Among Friends," Jul. 4, p. F16 |
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Jakobsen, Klaus Thejll. Ojeblikket, #32/33, Summer |
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Martin, Victoria. Art Week, Vol. 28, No. 8, August |
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Hackett, Regina. Seattle Post Intelligencer, "Ephemeral Themes Dominates Ambitious ‘Drawings’ Exhibit," July 11 |
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Helfand, Glen. Bay Guardian, Art Museum and Galleries, May 7 |
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Ferguson, Russell. "The Sound of Ripping Canvas," Sunshine Noir: Art in L.A. 1960-1997 |
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Louisiana Museum of Modern Art, Hulebaek, Denmark |
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Auerbach, Lisa Anne. L.A. Weekly, Sharon Lockhart, Laura Owens, Frances Stark |
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Schnoor, Chris. 3 Syllables, Performance on Paper, June, # 8 |
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Bonetti, David. San Francisco Examiner, Gallery Watch, May 9 |
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Cooper, Dennis. Artforum, "Openings," p. 80-81, April |
| 1996 |
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Butler, Cornelia. The Power of Suggestion: Narrative and Notation in Contemporary |
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Drawing, The Museum of Contemporary Art, Los Angeles, CA |
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Knight, Christopher. L.A. Times, "Riding Tradition’s Currents..." Oct. 9, p. F4 |
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Brown, Elizabeth. Stream of Consciousness, University of California at Santa Barbara |
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Pagel, David. L.A. Times, "Isolated Concepts", February, F12 |
| 1994 |
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Curtis, Cathy. .L. A. Times, "Freeing Words from Their Life Sentence" |
| 1993 |
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Kandell, Susan. L.A. Times "Invitational ‘93’s Controlling Personas,", October 14 |
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Anderson, Michael. Art Issues, "Invitational ‘93", No. 31 |
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DiMichele, David. "Fresh Work, Invitational ‘93," Artweek, Vol. 24, No. 21, Nov. 4 |
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| Public Collections |
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Museum of Contemporary Art, Los Angeles, CA |
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Los Angeles County Museum of Art, CA |
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San Francisco Museum of Modern Art, CA |
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Judith Rothschild Foundation, New York, NY |
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UCLA Hammer Museum, Los Angeles, CA |
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Fonds Regional d’art Contemporain, Champagne-Ardenne |
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| Frances Stark was born in Newport Beach, California in 1967. She lives and works in Los Angeles, California. |
